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Monthly Archives: March 2016

Eight Tips for Writing an Eight-Tip Advice Post (Crazy Uncle of A Bullet Point Mind)

31 Thursday Mar 2016

Posted by danielwalldammit in The Bullet Point Mind, Write Drunk, Edit Stoned

≈ 8 Comments

Tags

Advice, Blogging, Counting, Creative Writing, Internet, Nonsense, Numbers, Satire, Writng

IMG_20160215_142830

If you make sense to people, they will only make sense back at you!

The internet is full of pages providing us with numbers.

Numbers and tips!

Numbers OF tips.

That’s right. The internet is full of posts containing a designated number of little advisatory gems. I don’t know how much use there is in reading these lists, but I’m convinced there must be a point to writing them. I reckon the wisdom must reside in the numbers. So, the secret to providing advice online must be to put the advice in the form of a list of useful tips. Most importantly, you have to number them. Then put the number in the title. Netizens love numbers. They will read all the tips you want to give them as long as you put them in a well-numbered list.

…I think.

Anyway, I’m gonna give it a try. I do have a list of my own. It’s totally full of good advisings too. At least I will have such a list when I type out a bit more of this post. Here are my tips! My, …um, [INSERT NUMBER HERE)-point list of how to do [REPEAT NUMBER]-point lists. Yeah, that’s right. I don’t even know the number of points on my list, but I will have a number when I’m done writing my list, and you’re gonna read it to.

The number anyway. You’ll probably skip the rest. Dog knows, I would. Anyway, here goes…

OneFirst! Number one! The main, first-most, and totally beginning number on my list list of numbered things on the list that is totally numbered. The point of that number is to, …um …Number you tips! Yep. You gotta totally number them. Otherwise people won’t know the count, or maybe they will forget your advice as they read through it. Plus, it might be that your advice really sucks, but at least the numbers will make sense, so if you give bad advice, you can at least give good numbers. That’s why you gotta make sure you give people tips and make sure you number them so people can count as they read your tips.

And anyway, numbering your tips makes them way more important.

“Look before you cross the street?” …Meh!

“Number 1: Look before you cross the street.” …Dude, that is so totally profound!

Trust me, numbers profundify the lamest advice, and if that isn’t enough for you, then I just don’t know what else to say. Just fricking number your tips, okay dude!?!

TwoTwo: At least half your advice can be totally obvious or completely meaningless. In fact, it’s probably better that way, because it leaves less for people to disagree with. You just have to use the right words. If you are giving advice on how to do a bang up blog, for example, then be sure to tell people they should produce ‘quality content’. That may sound to you like an obvious call to write good stuff, but that’s because you haven’t grasped the full nuance. See, words like “quality content” are just so qualitative, they will make people feel all somehow, and then they will think you’ve actually said something, and they will respect you more. Plus, think how important that advice really is. Your readers were probably planning to write something that sucked, but you totally steered them in the right direction with that advice. Isn’t that cool?

Oh, what do you care? It’s a hit to your website one way or another!

IMG_20160223_143321Drei: Use your advice to drag people by the nose through your website. This isn’t hard to do. You just add all sorts of links to each piece of advice, hinting each time that they can learn more about whatever they’ve just read if they click the link. This way the vacuous nature of your not-so-helpful advice will work to your advantage. People will think; “Oh, I just haven’t found the real information yet. I have to go to that link where I will learn everything I need to know about this and it will finally make sense.”

If you’ve figured out that nothing at the link has to actually make sense, then you are catching on. The point is that this practice will generate extra hits on your website, which will totally drive up your search rankings. Your readers won’t learn a damned thing, but fuck them anyway, right? Your advice is good because it’s good for you, good for your rankings, and good for your blog. It’s probably also good for Jesus, all of your fellow countrymen, and if you can swing the suggestion, starving children somewhere in Africa.

…don’t forget to shed a tear as you write that last one. Also finish your dinner.

SusieQuatroQuatro: Try to include at least one useful piece of information. It doesn’t have to be original. It doesn’t really even have to be all that relevant. Hell, you can steal it shamelessly from someone wiser than yourself. The point is that you want your reader to have something to hold on to. That way when they remember your post and can’t remember all the other stuff you said, because – CAN THE CAN, HONEY – after all you really didn’t say anything in most of your advice post, but when they think about that, they will hopefully remember that one thing, which probably didn’t come from you anyway, but they’ll remember it just the same. Then when their buddies ask why anyone should go visit your site, they’ll say; “Oh I learned that one cool thing and some other stuff. If you go to the site, you’ll see that one thing and all the other stuff too, and then you can remind me about all the stuff I forgot.” …which is of course totally cool for you, especially if their friends start following the links. No-one will remember the useless non-advice, but they’ll remember the one good point and think there were others that they forgot. If your lucky, they will even come back to check.

I know, I know. You’re worried that you may not have any really good advice to give, right? Don’t worry about it. All you have to do is find someone else who is worth listening to and use them as a source. The advice they give will be the one that matters. So, just pick something that seems superficially relevant to the topic. Don’t worry. It doesn’t have to be actually relevant, just as long as it doesn’t stick out like a sore thumb and make people think it doesn’t belong in your post at all. Then you’re sunk.

Ashdla’: Be sure to write in short sentences. Also make sure that your grammar is nice and standard. It’s best to avoid run-on sentences. For instance, most of what I wrote in bullet point Suzi needs a red pen. That kind of writing is right out! (Seriously, don’t write like I do. It’s bad for the economy.)

Now you might think that the point here is to communicate more effectively, but you would be wrong to think that. The real reason is that your 8th-grade English teacher will haunt your fricking dreams if you don’t follow this advice. You don’t want that, now do you? I know I don’t. Seriously, Just leave me alone Mrs. Lawrence, will you please just leave me alone!

20160331_1311305) Some bullet points can be really brief. People won’t mind the break. Reading is hard.

…dammit!

…

…

…

20160331_131502Tallimat) Oh, brevity? That’s a good one! Reading is hard. Remember that point when you write stuff. People don’t like to read, which is one of the reasons that writing is hard. Writing is hard, because reading is hard. Maybe writing is actually hard, because reading seems hard, or maybe there is a lesson about laziness here, but the point is writing is really rude. I don’t know about the rest of this paragraph, but I am totally serious about this point. Writing is definitely rude. When you write something, you are asking someone to read it, and no-one wants to do that. So, don’t write anything, you rude mother-fucker!

…Alternatively, remember that whatever you write, your readers are just waiting for an excuse to stop reading. Why they started reading in the first place is a mystery to me and to you, and probably to them as well, but they are just waiting to bust away from your damned blog post and go do something fun. So you have to keep it brief, and you have to do stuff to keep their attention. Words like ‘fucker’ help with the last part. When I figure out how to keep it brief, I’ll write another post to let you know. I’ll probably even add it as a link to this post.

Seven SamuraiVII: Promise them money. I don’t mean that you should offer to pay your readers, though that might work. …No, it wouldn’t. (No-one wants to read.) Anyway, my point is that you should allude to financial success. Hint that people will earn a lot of money if they just follow your advice. Ideally, you should get that hint into your title as well, and into every other bullet point. In fact, you should probably get it into every bullet point, just to be on the safe side. Just keep suggesting that you’re offering people the keys to a successful career in whatever, and you’ll be fine.

Now you might think the point of this advice is to get readers to think they can make money by following your advice, but that is totally not the point. Seriously, no-one is that stupid! The point of doing this is to convince other internet advice-bloggers to think that you are in the same business they are, and hopefully that you are really good at it. If you can sell that image to them, then those guys are totally gonna start coming to your blog, commenting, and hopefully referencing you on their own blogs. That will totally drive your hint count up, at least as long as you do the same for them. You won’t make any money off any of this, but it’ll be a gas to think that people came to your blog, even if most of them only did so in the hopes of getting you to come to theirs. They didn’t read your posts. Don’t forget that. No-one reads blog posts. But they will count as hits, and that’s cool.

See, no-one really believes advice on how to make money online, but some people evidently believe that others believe you can make money online. THAT, my friend, is your target readership!

20160331_133916восьмой: Wrap it up and hit the ‘Publish’ button. Seriously, just get on with it!

No seriously, just hit the damned button.

***

***

…No fair, using this advice for 10-point lists. It’s only meant for 8.

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Libertarian Josey Whales

29 Tuesday Mar 2016

Posted by danielwalldammit in Movies, Politics

≈ 7 Comments

Tags

Clint Eastwood, Cowboys, Film, Free Markets, Libertarianism, Movies, Outlaw Josey Whales, Politics, Westerns

JoseyWDon’t get me wrong. I owe countless hours of entertainment, and many profound lessons learned to Clint Eastwood and his lifetime of utter brilliance. In this post, I will of course repay him by attacking his work on one of my all-time favorite films.

I guess I am feeling lucky.

…or maybe it’s just a blog post, but anyway, that’s not the film I mean to ramble about. I’m thinking about Josey Whales. There is one scene in this film that really bothers me. Maybe it’s meant to. Hell, probably, it’s meant to, but in this case the bother skips out of the bounds of the movie itself and starts to become a real-world bothertation.

I am talking about a scene in which Josey enters a trading post to find two men raping a young Navajo woman right there in the building. He grimaces a bit, and we get the impression he doesn’t really approve, and of course he does what so many of Eastwood’s characters do in this film; he goes on about his business, at least until the men become his business. This character is a reluctant hero after all, not some white-hat good-guy. When the rapists decide to try and take him prisoner, Josey, …uh, …SPOILER ALERT, …shoots them both dead, thus effectively saving the woman from sexual assault even as he saves his own life.

It’s great drama, and one of the things that makes it great is the moral ambiguity of its main character. Would he have helped the young woman if the two men hadn’t gone after him? We might hope so, but the film itself gives us no reason to suspect he would have. What we do know is that he walked right past them, and right past his first chance to help her. The whole scene ends with a disconcerting sense that Josey has put a stop to a number of bad things without ever really making a decision to do so.

It’s good storytelling. Hell, it’s great story-telling. So what’s the problem?

I think of this scene every time I hear of Clint Eastwood’s approach to libertarianism. His take on the subject is often described as “everyone leaves everyone alone” or some variant thereof. I actually rather like this expression, at least for a moment or two whenever I hear it. I can just imagine it being directed at some fussy bastard whose getting into other people’s business, in effect telling them to mind their own. I can get behind that sort of thing, sure I can. But then I find myself thinking that’s not really where this message is going, is it? Not in the grand scheme of things.

Time and again, we see libertarians in league with mainstream conservatives. On the topics of government aid to the poor and interference with the economy their messages are synchronous. On the topic of gender politics, their views clash, and near as I can tell the mainstream conservative themes win-out just about every time. This tells us a lot about the priorities at stake here, and I get damned tired of hearing a message that promises respect for individuals across the board only to see that message work consistently to the benefit of those already powerful at the expense of those struggling just to survive.

…which of course brings us right back to that scene from Josey Whales.

You could think of “everyone leave everyone alone” as a rule that might stop the rapists, albeit, it’s damned weak wording for a crime such as that. More to the point, I can’t help thinking it has more to do with Josey’s initial decision to go about his business, leaving the men free to hurt a young woman in his presence. I can’t help thinking that in that moment, Josey was minding his own business, just as the real Clint Eastwood seems to suggest we should all do.

Of course things work out in the end with Josey Whales, but they work out in the end because that’s the way the story is written. The bad guys go one step too far, thus triggering Josey’s own trigger, and it doesn’t hurt that they are foolish enough to let him get the best of them, just as all the other bad guys in that story do. Evil is vanquished in Josey Whales, but not because anyone has made a conscious choice to oppose it. Indeed, the movie seems rather set against the wisdom of such choices. No, the good that happens in this movie happens as if by accident, as Josey and his companions go about their daily lives, just trying to survive. And so the invisible hand of the writer seems to bring good  things from morally ambiguous behavior, much as the invisible hand of God in free market folklore.

It’s good storytelling, yes, but it’s piss-poor politics.

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Pedagogical Metaphors From Half-Baked to Totally Stale

26 Saturday Mar 2016

Posted by danielwalldammit in Education

≈ 4 Comments

Tags

Education, IAIA, Lessons, Metaphors, Pacman, Parties, Pedagogy, teaching, Tropes

20160105_233707Pedagogical metaphors are like a sober friend on your way out an especially good party. You can lean on him a bit. If he’s a good friend, you can lean a little more. Lean too much and you both fall in the gutter and he’s not gonna wanna party with you any more.

I was thinking about this as a medical professional gave a presentation on HIV awareness to my students this week. She came to a few of my class, and each time she made a point to tell us about macrophages, a kind of white blood cell that engulf and consume debris in our blood stream. Every time she got to this topic, she made a point to ask the students if they’d ever played Pacman.

This was a particularly dated metaphor, but oddly enough it seemed to work as almost all of the students had played this old game at some point in their lives. So, they got her point. Still I thought this an odd artifact of sorts. If it worked today, it must have worked so much better a couple decades back when Pacman was a common presence in just about everyone’s daily life. People might have walked by the machine back then (I did, right on to Asteroids), but they saw it, they knew it, and most had dropped a quarter or three in a Pacman at some point in their lives.

020

I want an Asteroids-themed lesson!

I couldn’t help wondering if this metaphor wasn’t more important to her own thinking than it was for the students. …if it wasn’t less a means of communicating with them than it was an essential crutch propping up her own approach to the topic. Then I remembered how much I love my soda wars (Coke and Pepsi) analogy when I talk about the Cold War. I know damned well the students don’t remember the cola wars. Most of them weren’t even alive when Pepsi set fire to Michael Jackson’s hair. But the metaphor just seems so perfect for me that I can’t resist using it, even if I have to teach the students about the cola wars in order to then use this to teach them about the cold war. (The punch line here, for those with enough morbid curiosity to damn a give, is that third parties were the real losers in the conflict). I use that metaphor a lot, but it’s probably more compulsive behavior than focused and well designed pedagogy. So, that’s at least one conceptual party-buddy that I’ve squashed on the curb in return for his patient efforts to guide my clumsy ass through a topic.

As to dated material, you can ask any student about my many pop-culture references, most of which haven’t made sense to young folks for at least a couple decades. I suspect the bottom line is that most teachers have a few of these tropes in our tool-box, little analogies that work for us more than they do for our students.

As my guest speaker moved on to discuss other things, I found my own mind wandering over the range of metaphors we teachers use in our lesson plans, wondering how many really help the students and how many get used for our own benefit.

IMG_20151116_123201

IAIA

I can think of at least one really great metaphor a friend of mine used to work into a first year seminar to teach the students at The Institute of American Indian Arts. She likened the educational process to flying a plane, and the steps necessary to learn a subject and pass a course to prepping for a flight. What made this metaphor work, mind you, was the part where the students actually got to fly a plane toward the end of the semester. Most metaphors stand or fall in words spoken, dribbled on a page, or splattered on a screen. Her metaphor literally took off, and it did so in the hands of her students.

You can’t get more cool than that!

We tried something similar here at Iḷisaġvik, comparing the educational process to whaling. That may seem odd to some folks, but the Inupiat community of the North Slope does engage in whaling and we are a tribal college, so this fit right in line with promoting the indigenous practices central to our own mission. That said, results were mixed, I think. Whether or not students liked the course, I don’t think that master-metaphor  was one of its major selling points. I was never entirely sold on the value of a master-metaphor in a class like that. The one they used at IAIA worked, yes, but I suspect it worked because it was linked to a uniquely personal experience.

It’s hard to compete with flying a plane, yes it is.

I expect the argument-as-warfare meme is all over my logic class. Ah well! For a borderline peacenik, I’m a veritable war-monger when it comes to syllogisms. But this is hardly novel, or even that interesting. Talking about arguments without using violent metaphors? Now that would be interesting. Hey look now, all I am saying is give peace a chance!

…okay someday, maybe I’ll take my own advice on that.

Other metaphors come and go. A topic may yield a race of some sort. An essay can become a veritable construction project. An idea may become rich (in sugar or money, I sometimes wonder). A fact or a sub-theme may become central to a topic. An event may serve as a trigger (World War I anybody?). We can meditate on a topic when we are really just talking about it, and a certain kind of speculation quickly becomes an experiment, or at least a ‘thought experiment’, when we want to endow it with a sense of the sciencey. Half-conscious tropes abound! Most of the time we don’t even think about these things.

Sometimes a student finds their own metaphors, and sometimes they even tell us about them. And sometimes those metaphors turn out to be gold, but I have to admit I’m a tough sell. I often grumble a little inside when I hear these things. Student generated metaphors often strike me as evidence the students have missed the point. I grumble! Perhaps these metaphors would be better thought of as evidence the student has a point of their own. Nah! That approach is just way too wholesome, and we’ll have none of that kinda thinking on this blog dammit!

Coming back to my, …um, …central metaphor in this post, I am wondering if a pedagogical metaphor might be better thought of as your drunk friend who invited you to the party in the first place. He’s the one that’s already three drinks on the road to happy-happy, and if you take the beer he’s offering you, then maybe it’ll be a pleasant evening (and a rich conversation), but you should always find your limit a little before he does. After all, there is a reason this guy is more dialed-in to the party scene than you are. So, it’s less a question of how hard you want to lean on your metaphorical friend than it is a matter of realizing he’s always going to want to do that one more shot that’s gonna totally do you in. Then you just have to say; “No metaphor! No more booze for me. I’m done for now.” …which is of course a metaphor for backing out of metaphorical implications that seem a little silly.

…and on that count alone this last paragraph is a total failure.

What the Hell would I know about parties anyway!?!

 

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Landing in Barrow

23 Wednesday Mar 2016

Posted by danielwalldammit in Alaska

≈ 4 Comments

Tags

Alaska, Arctic, Flying, Ice, Landing, Ocean, Sea, Sea Ice, Spring, Travel, Video

Just flew in yesterday from a trip to Minnesota. The plane usually approaches Barrow from the ocean-side, and this time of year that can be rather cool. I was seated in the aisle, so this could definitely have been better. Still, I think it’s kinda neat. I reckon the plane finally crosses over land at about the 1:06 mark. If you look closely, you can see shoreline. The Snow gets smoother.

Couple pics from the trip (click to embiggen):

Loring Park
Loring Park
A few minutes before landing
A few minutes before landing
Loring Park, II (which I actually took first)
Loring Park, II (which I actually took first)
At the AIHEC Powwow (AIHEC stands for American Indian Higher Education Consortium)
At the AIHEC Powwow (AIHEC stands for American Indian Higher Education Consortium)
A few minutes out from Anchorage
A few minutes out from Anchorage

 

 

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Northiness Finds a Photo Filter

10 Thursday Mar 2016

Posted by danielwalldammit in Alaska, Bad Photography

≈ 15 Comments

Tags

Alaska, Anchorage, Barrow, Instagram, Nature, North Slope, Photography, Photos, Pictures

IMG_20151012_115503There is a reason I put my picture posts for this blog in the category of “Bad Photography.” I really don’t know what I’m doing. I started taking pictures when I realized I lived in a place full of amazing sights I am very lucky to witness. As I’ve traveled more, I’ve found even more reasons to take pictures. What I haven’t done is learn enough about the settings on my cameras to make any intelligent use of them. Neither have I made much use of post-production technologies. Most of the pictures on this website are thus straight out of the camera using the most basic settings available. This summer, I began using Instagram, however, and with a little badgering from Moni, I finally starting using some of the filters available on that service. It’s still bad photography, of course, I wouldn’t produce anything else. (I do have principles, you know!) But I do think a few of these images are an improvement, so I thought I’d share a few of the Alaska-themed pics in a new post.

…er, this is that post.

(Click a pic to embiggen it. You know you wanna!)

2am in May (Barrow)
2am in May (Barrow)
Whale Skull During Spring Thaw (Barrow)
Whale Skull During Spring Thaw (Barrow)
Prudhoe Bay
Prudhoe Bay
Snow Flurries (Barrow)
Snow Flurries (Barrow)
Sunset Over Melting Sea Ice (Barrow)
Sunset Over Melting Sea Ice (Barrow)
Nalukataq (Spring Whaling Festival, Barrow)
Nalukataq (Spring Whaling Festival, Barrow)
Snow Sculpture (Part of Contest one Spring, Barrow)
Snow Sculpture (Part of Contest one Spring, Barrow)
Bears on Barter Island
Bears on Barter Island
Ducks on Ship Creek in Anchorage
Ducks on Ship Creek in Anchorage
Eskimo PSA (Barrow)
Eskimo PSA (Barrow)
Part of a Home in Point Hope
Part of a Home in Point Hope
Jigsaw Dumpster (Barrow)
Jigsaw Dumpster (Barrow)
Arctic Palm Trees (Barrow)
Arctic Palm Trees (Barrow)
Is that ship levitating? (Barrow)
Is that ship levitating? (Barrow)
Not Quite Ready for Winter (Barrow)
Not Quite Ready for Winter (Barrow)
Dumpster Fauna (Barrow)
Dumpster Fauna (Barrow)
Bear patrol springs into action! (Kaktovik, Barter Island)
Bear patrol springs into action! (Kaktovik, Barter Island)
Anchorage History on a Wall (Anchorage)
Anchorage History on a Wall (Anchorage)
Anaktuvuk Pass (Damn, it was cold that day!)
Anaktuvuk Pass (Damn, it was cold that day!)
Beach in August (Barrow)
Beach in August (Barrow)
Wainwright
Wainwright
Ice wall piled up after a storm (Barrow)
Ice wall piled up after a storm (Barrow)
Antfood Strikes! (Barrow)
Antfood Strikes! (Barrow)
Dew Line, Early Warning System (Barrow)
Dew Line, Early Warning System (Barrow)
Ship Creek was a natural bluescape that evening (Anchorage)
Ship Creek was a natural bluescape that evening (Anchorage)
Midnight Sun (Barrow)
Midnight Sun (Barrow)
Ice wall on the shore (Barrow)
Ice wall on the shore (Barrow)
Sea ice (Barrow)
Sea ice (Barrow)
Noon Flight out of Barrow (this doesn't quite capture the high winds)
Noon Flight out of Barrow (this doesn’t quite capture the high winds)
Melting! (Barrow)
Melting! (Barrow)
Turn! (Barrow)
Turn! (Barrow)
Poor Lonely Cold Light on a Dark Night! (Barrow)
Poor Lonely Cold Light on a Dark Night! (Barrow)
Abstract Alley (Anchorage)
Abstract Alley (Anchorage)
Eagle River as I Recall
Eagle River as I Recall
More Sea Ice (Barrow)
More Sea Ice (Barrow)
Museum in Anaktuvuk Pass
Museum in Anaktuvuk Pass
Northern Lights (Barrow)
Northern Lights (Barrow)
Chena River from Pike's Landing (Fairbanks)
Chena River from Pike’s Landing (Fairbanks)
Dew Line from a Distance (Barrow)
Dew Line from a Distance (Barrow)
Deadhorse (Prudhoe Bay)
Deadhorse (Prudhoe Bay)
Sunset Over a Pond (Barrow)
Sunset Over a Pond (Barrow)
Early Spring Thaw (Barrow)
Early Spring Thaw (Barrow)
Kivgiq Performance (Messenger Feast, Barrow)
Kivgiq Performance (Messenger Feast, Barrow)
Waignwright
Waignwright
Unusually open water in mid winter (Barrow)
Unusually open water in mid winter (Barrow)
The jellyfish invasion did not go as planned (Barrow)
The jellyfish invasion did not go as planned (Barrow)
Barrow
Barrow
Someone yarn-bombed a tree (Anchorage)
Someone yarn-bombed a tree (Anchorage)
Eagle River again
Eagle River again
Umiaq race on July Fourth (Barrow)
Umiaq race on July Fourth (Barrow)
Eagle River again
Eagle River again
Selfie (Anchorage)
Selfie (Anchorage)
Barge (Barrow)
Barge (Barrow)
Sea ice (Barrow)
Sea ice (Barrow)
This is a float-plane runway (Anchorage)
This is a float-plane runway (Anchorage)
Contrails point accusingly at seagulls. They say 'Bad Seagulls!' (Barrow)
Contrails point accusingly at seagulls. They say ‘Bad Seagulls!’ (Barrow)
Old Arctic Hotel (Barrow)
Old Arctic Hotel (Barrow)

 

 

 

 

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The City & The City …Just One Review

09 Wednesday Mar 2016

Posted by danielwalldammit in Anthropology, Books

≈ 6 Comments

Tags

China Miéville, Culture, Custom, Detective Novels, Distinction, Fiction, Reading, Recognition, The City & The City

The CityIt was quite sometime ago that a friend of mine passed along a copy of China Miéville’s book, The City & The City. As with an awful lot of fiction, no sooner had I decided it looked interesting than I set it aside in pursuit of other (probably less interesting) things. Anyway, I finally dug it out awhile back and for a time I set a few other things aside in order to pursue its own story. I had to unsee some work to read this book, so to speak, but that’s a sub-reference you (my own reader) won’t get for a few more paragraphs. Just keep reading and I’ll pretend I didn’t notice.

***

I’ll try to keep the spoilers to a minimum, though you may pick up a thing or two. I’m almost sorry about that.

***

This is a detective story. I hate detective stories, but I love the premise behind this one, and I can think of no better genre to explore that premise. The City & The City is definitely worth a read.

This book is narrated by Inspector Tyador Borlú as he investigates the murder of a young woman. Borlú is reasonably reliable as far as narrators go, but there is a lot he doesn’t understand, and a few things he’s really not allowed to understand, or at least to acknowledge, which of course limits his ability to communicate with us in the novel.  It isn’t that Borlú is consciously deceptive or even outright deluded, at least I don’t think so. But he he operates under extraordinary constraints.

His constraints are of course our own, at least until we put the book down and resume our interest in other things.

The central problem of this story is that Borlú lives in a world that is only partially available to him, and to the others in that world. Our detective lives in the city of Besźel, an Eastern European city in the modern world. At it happens, the streets of Besźel are interwoven with those of another city, Ul Quoma. You might think this is a quaint way of talking about the neighborhoods of a single community, but if you thought that, you would most certainly be very wrong. These are two very different communities, nestled right in together in the same physical space. The difference between them is maintained by the most stringent expectations about what one may or may not recognize, who one may speak with and who one may not. To see the wrong person is in fact a terrible crime in this world. To speak to the wrong people – unthinkable. And thus the cities are parted, not by physical space, but by social space maintained and enforced by an arcane set of expectations which Borlú and the others in this story accept at face value. This is simply how their world works, and the practice of discriminating between those one can acknowledge and those one cannot are, to the best of their knowledge and ours, absolutely inescapable

Borlú lives in Besźel, and the body of the young woman was found in Besźel as well, and so we begin the narrative in his half of this bifurcated universe. If you have begun to suspect the plot will wander over the boundaries of this world and into the City of Ul Quoma, then you are catching on. And if you were thinking that poses a problem for Inspector Borlú, then you are definitely on target here. It doesn’t help that the murder victim had been conducting research that threatens the boundaries between these communities, or that someone with power in both would seem to be manipulating the details of the investigation. Our narrator is thus caught between two worlds, allowed only to see one of them, even as his case spills out and over the boundaries between them. We (his readers) have only to follow along in the hopes that he will negotiate the boundaries between Besźel and Ul Quoma and find the truth of the matter before it destroys him.

It’s a rich story, and I’m not even going to attempt to capture its full impact. What most fascinates me about this book is Miéville’s sense of the boundary maintenance between the two communities. Physically contiguous, they are separated only by social artifice. How does one unsee people even as he passes them on the street? Is it a choice? A habit? Perhaps, even a pathos of sorts?

People in this world do actually see each other, of course, and if they didn’t, they would literally trip over each other (and worse), but they must not be seen to acknowledge each other. And so they carry out their lives according to an elaborate set of expectations governing just how one goes about unseeing what is literally right in front of them, and all around them, to be sure. Miéville put a lot of thought into how this works. His treatment of the subject is both fascinating and compelling.

What doesn’t work for me is the murder mystery itself, but then again, they never do. I always feel pulled along by such stories, teased by the obligation to try and resolve the central mystery, knowing full well that I will do so at precisely the moment the author finally decides to tell me what I really need to know. It’s not a game I enjoy, and unfortunately The City & The City is no different on this account. I wish I could say otherwise, but that’s how I feel about the central crime drama here.

The mystery of the crime itself is of course interwoven with that of the differences between the two cities. The one draws us (along with Inspector Borlú) into the other, gives us a reason to cross the boundaries, to explore regions we ought not even to see, and to learn a bit about just how these cities work. As I read the book, I must admit, it is the conventions of the city and the practice of seeing some things and not others that interests me. In effect, it is this premise of the story that provides the actual dramatic tension I feel in reading the book. I am never quite as invested in solving the crime as I am in learning how the cities work. So, the murder mystery leaves me a bit ambivalent. It’s not what interests me about the book.

I suppose we could explore the same theme with something a bit more like a high fantasy theme or a conscious exploration of mysticism, but that would have shed way too much trite all over the story. The theme of a detective novel lends the whole thing a pedestrian quality that keeps us focused on the perfectly  human, even mundane, parts of this world. I can’t help thinking that’s critical to the full concept. This isn’t a story of mystical realization. It is a story about perfectly normal people struggling against perfectly mundane limitations to learn something that ought to be plainly visible to all. That this knowledge isn’t visible is uncanny, infuriating, and intensely interesting.

That which is unseen is, after all, right there!

But so is the act of unseeing.

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When Arguendo Argues Itself Into a Somehow

07 Monday Mar 2016

Posted by danielwalldammit in atheism, Religion

≈ 3 Comments

Tags

Apologetics, atheism, Belief, game of thrones, God, Jesus, religion, Stories, Villainy

Pop-apologists love to tell stories about how much atheists hate God. It’s a powerful claim, not because it’s accurate, but because it’s a bit like wishing us into the cornfields. All at once everything we say and everything we think is effectively removed from consideration and we sit mute despite our best efforts well beyond the eyes and ears of the one who put us there. You can try to reason with people who make this argument, but to them you might as well be out in the cornfield after all. They put you there with this story, and you can’t get out.

The pretext for putting us in that cornfield is often our commentary about moral qualities of God’s character. We tend to be critical of the big guy. These are themes well known by now to both atheists and religious apologists, as well as any number of people in between or off to the sides. That such comments are made for the purpose of argument seems obvious enough to me, but arguendo would seem to escape some folks, and so a comment or two on some of ‘God’s’ more unsavory activities quickly becomes evidence that those making the comments know very well that God is real and simply hate him.

And that’s the trouble with quote marks. Sometimes they disappear!!!

Anyway…

Maybe the whole argument is like a silence spell in a game of Dungeons&Dragons. All your thoughts about epistemology and metaphysics, logic, reasoning, the history of science or religion; all of these are suddenly translated into a single simple theme, the expression of brute rage. No matter what we actually say, or how we actually feel while talking about the subject, this notion that atheists just hate God translates the whole thing into rage. I can’t help thinking some apologists do it for just that very reason. Whatever the logic of it, the claim that atheists just hate God is a damned good way to end the discussion.

…even if one really means to continue talking about it anyway.

There is of course a self-fulfilling quality to all of this. No-one wants to be wished into the cornfields, metaphorically or otherwise. So, if you weren’t mad at God at the beginning of such a conversation, you may well find yourself mad at the person who said you were. Hopefully, this doesn’t rise to the level of brute rage, but it can certainly be frustrating. It’s at least enough to make a man brute miffed, stark-raving irritated, or even amused off at the source of the claim. Show that irritation, and you may well have the source claiming this is proof he was right about your motives all along.

I suppose it’s probably best to just go on about your life in such cases, really. It’s only a cornfield-banishment if you let yourself care about the brat who put you there. Otherwise, the demon kid is just an adult-child with his hands over his ears and you have a whole world in which to wander and explore. Who know? You may even find some corn to cook!

As often as not, we try anyway.

…to talk to the brat, I mean.

As often as not, when we try, the stratagem of choice will be to work our end of the dueling petitio. It seems obvious enough, so the thinking goes, that the person putting us into the apologetic cornfield construes our rejection of God in terms of an implicit assumption that He (God) must exist and that we must really know that after all. Since that is the point of explicit disagreement, this whole angle is a question good and begged. “Okay fucker,” so our inner monologue goes, “I can play that game too!” And out comes an argument in the form of an impatient reminder; “I don’t hate God; I simply don’t believe in him.” A frequent variation of this argument takes the form of an argument to the effect that one cannot hate someone or something one doesn’t believe in.

art-thrones-joffrey-620x349I used to think that made sense, but then Joffrey happened, and I learned very clearly that I can indeed hate someone I don’t believe in. Seriously, I have spent more time hating that little bastard than I ever spent on any real person. Neither Adolf Hitler nor John Chivington from actual history have been given nearly so many fucks from me as that perfectly fictional little piss-ant. Neither my old playground Nemesis, Scotty, nor the bastard who embezzled money from my Dad’s business when I was a teenager ever got my goat quite so effectively as that perfectly pathetic little bit of unreal royalty has. (Admittedly, Jofrrey has the advantage of being a recent pebble in my viewing-shoe, but presently anyway, he rouses more irkitude than any other.) So, yes, the bottom line here is simple. I can hate a person that doesn’t exist. I really can.

Oh geez! I hope I’m not the only one.

Well, I reckon I’m not. A quick look around the net seems to confirm that little creep got under a a good many people’s skins. It may be a charitable (or at least a convenient) assumption on my part, but I don’t think all the Joffrey-haters are under the delusion that he’s real. My capacity to hate people who aren’t real does not appear to be a super-power. Others too have this ability.

So is Joffrey unique? Could he be a sort of fictional singularity of hatred-arousing super-villainy? I mean, I don’t really hate Darth Vader. Never did. (The way he choked that guy with the force was actually kinda cool.) Snape and Voldomort hold my attention long enough to enjoy the story, but neither really makes the hair stand-up on the back of my neck. Angel Eyes from the Good the Bad and the Ugly? I kinda like him. Actually, I like a lot of villains. (Maybe that’s a problem.) Even Sauron is hard to really hate. That guy is more like a force of nature. He has to be contended with, but he isn’t human enough to be all that mad about him. You want him defeated, yes, but you don’t find your face screwing up with rage at the mere mention of his name.

See, …Sauron. You didn’t cringe, now did you?

Felix UngerThen again, there is Felix Unger. I know that’s probably one for the over-40 crowd, but seriously, you kids need to get off my lawn anyway, so I’m using him. He’s not quite a villain I know, but man could that character set me to gnashing my teeth. Don’t get me wrong, Tony Randall was great, and he was particularly great at making me hate that fricking Felix Unger. Also there is Frank Burns from Mash. Wasn’t that guy’s mere presence in a scene just like fingernails on a chalk-board? (Which brings me to a question; do young people understand how bad that chalk-board sound was? I haven’t heard it in well over a decade and I still hate it. Almost as much as I hated Frank Burns. I expect some folks have escaped this sound entirely, and maybe I should find a more current metaphor for a truly cringe-worthy event. …maybe something like Joffrey.) Anyway, the point is that you can hate fictional characters.

Definitely possible.

So does that count as a point for God’s apologists? No. It just means the world is, as usual, more complicated than we often imagine it to be. It is PARTICULARLY more complicated than we imagine it to be when we go to war with people who think wrong things (especially if they are doing it on the internet. …those fuckers!) To put it another way, if God was created by man, as some of us believe him to be, then perhaps He is the original Satan, because He has definitely rebelled against his creators. He keeps doing things we don’t want Him to, and when some of us want Him to just go away, he keeps popping up, in our dreams and stories anyway. No, not because He’s real, but because our own stories have endowed Him with with far more meaning than we can effectively dispatch in a single saying of the nay.

Just to be clear. I’m not really talking about God. I’m talking about ‘God’.

Polemic games aside, I do think this touches on a larger issue, maybe even a couple of them. There is something in the power of stories. I don’t mean some mystical force that bends steel or shoots mind bullets at people who piss you off. I mean that stories have a way of holding our attention more than we sometimes want them to. This is why people watch soap-operas. It’s the reason why any reality shows last more than  the time it takes to pitch them. And its the reason why every single one of the dark-violent soap operas now filling cable television will replace every resolved plot point with a new cliff-hanger, and they will do it every fricking time! (I’m convinced Joffrey is behind the lot of them. Seriously, what IS that kid doing now that his character is gone? Has anyone checked? Oh! Well, nevermind.) My point is that you will come back to watch a story (even a story that sucks) if it presents you with an open question. That bit of suspense keeps us coming back to great shows like the one that formerly bothered us with Joffrey. It will also have us watching 5 separate episodes of MTV’s real world after getting home from work, and grumbling the whole time.

“What could be dumber than this damned show?”

(Looks around the room.)

“Oh!”

burnsAll of which brings me back to the uncomfortable curve of the matter. I think an awful lot of unbelievers struggle with the hold that religious narratives have on our imaginations. I know my own religious sentiments stuck with me for years after I ceased vouching for their truth. This bothered me sometimes, but I began as a reluctant atheist anyway, so perhaps it didn’t bother me too much. I don’t know when, but sometime in the last couple decades many of my old religious thoughts fell away. Just the same, I remember what it was like to disbelieve and yet to feel moved by the same old religious narratives.

It doesn’t help of course that these narratives are still told in our presence, that others press upon us the need to vouch for the truth of those stories, and some even see fit to damn us for not believing them, but if you take all that away, it doesn’t necessarily mean we are free to skip our way on down to the god-free world to secular smiles and gooey gumdrops. Those stories are all over our minds, and they don’t go away just because their most flat-footed story-tellers are in the other room.

This fact may be more true for those of us that grew up in religious households, but I don’t reckon it’s untrue of others either. Religion provides so many recurrent themes to the cultural landscape around us that you just can’t escape it. And some of these are pretty good stories. Some are shitty-stories (e.g. God is not Dead), yes, but some are pretty damned moving, even to a non-believer (e.g. Amazing Grace). We may object to some of the implications. But that doesn’t mean the stories aren’t compelling, that we don’t feel the dramatic tension when the stories are well told, or that we won’t find ourselves rehashing a theme or two borrowed (perhaps without our realizing it) from religious circles.

Just as with fiction, religious themes may well hold someone’s interest without any literal belief in the characters and events described in them.

I should add that it isn’t entirely clear that atheists hate God, even as a concept. I’ve been focusing so far on villainous themes, because creeps and bastards are uniquely compelling (even godly ones). But of course, characters in a story move us in other ways too, and this is as true of divine stories as it is of sit-com plots. In the argument from evil, God is a downright bastard, to be sure, and I think sufficiently bastard-like to merit a conclusion or two about his character. Still, the peace-love-dove version of Jesus still evokes a warm and fuzzy something or other deep down in my non-soul. I don’t believe in either of these gods, of course, but the point is that each is moving in its own way. The gods of Greece and Rome can still get my interest, as can those of the Vikings. The shear inscrutability of Krishna can draw my attention as well as anything. All of these figures have compelling attributes, not because they are real, but because they are at times part of stories told really well.

Simply put, religious themes do not cease to occupy our attention simply because we stop believing in them. Our attention may be drawn to them by others, but our own thoughts will frequently come back to those themes without any external prompts. They occupy too much of the thought-world around each of us to be simply banished to the cornfields. In that respect, gods may have an advantage on atheists. We can be put in that cornfield by anyone malicious enough to go for the debate equivalent to a quick fix. Gods can’t. You put them out of your metaphysics, and they pop up in your poetry. Kick them out of your ethics and they sneak back into your favorite morality tales. Some may find in all of this an opportunity for a gotcha game, a chance to declare a debate victory of sorts, but that’s a scene closer to the spirit of Frank Burns than a Matlockesque moment of truth. (Yes, I wrote Matlockesque. Deal with it!) Still, we shouldn’t let the faux-apologetics cause us to lose site of something very human here; we don’t have to believe stories to be moved by them. I reckon those theists whose thoughts I value can see this as well as any atheist. As for those who continue to play the you-just-hate-God game, perhaps I shall put them in a cornfield of my own.

…better yet, rye.

Apologists keep telling us that God doesn’t go away when we cease to believe in him. I think its closer to the truth that ‘God’ doesn’t go away when we cease to believe in him. Some people will never notice the difference.

At this point, I reckon that really just shouldn’t surprise anyone.

 

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