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Tag Archives: Indigenous Peoples

Of Words that Won’t

18 Sunday Sep 2022

Posted by danielwalldammit in History, Native American Themes

≈ 5 Comments

Tags

American History, American Indian, Custer, George Armstrong Custer, History, Indigenous Peoples, Little Bighorn, Native American, Semantics

I believe I was in college when I first had someone tell me I shouldn’t use the word ‘Indian.’ I had certainly heard plenty of critical commentary about Christopher Columbus, and at least some of that commentary had included a remark or two on the absurdity of applying the word ‘Indian’ to the indigenous population of the Americas. Still, in the lily-white neighborhoods of my upbringing, this word became just another absurdity in a world that already had plenty of them. So, when my Navajo classmate, Wendy, expressed a clear preference for ‘Native American,’ this was new. What was new about it wasn’t the critique of the word ‘Indian’; it was the sense that the critique mattered.

I wish I could say that I responded appropriately, but I’m afraid I can’t.

There was whitesplaining; let’s just leave it at that.

***

Admittedly, the rest of this post could qualify as more of the same. I hope not, but we’ll see…

***

I’ve heard a couple of interesting theories about the origin of the term, ‘Indian,’ but I’m not sure that any of them have really nailed down the concept. Origins are not the only rubric by which we might assess the meaning of a term, and folk-etymologies are infamously inaccurate, so the whole question of where the word came from has to be taken with a grain of salt.

Anyway…

The notion that Columbus thought he was in India is an incorrect correction, at best. Columbus thought he was in the East Indies. That may sound like a fussy point to make, but folks ought not to point out one mistake only to land on another. Somewhere in his work, the historian of religion, Sam Gill, suggests that Europeans used term ‘Indian’ as a kind of catch-all category for everyone who lived east of the Indus River. By this account, the problem with the term is not so much a clear factual error as a kind of vagueness, that and a kind of projection of the European imagination into new territory. It’s not at all unlike those associated with ‘orientalism’ in other historical contexts. Another interesting take comes from the noted activist, Russell Means. According to Means, the term originally meant “‘under God,’ thus making it an accurate observation of the spirituality of America’s indigenous peoples. At a time when many were switching from ‘Indian’ to ‘Native American,’ Means embraced ‘Indian,’ even insisted upon it. Of course, this may have had something to do with branding. Means was of course a long-time member of “The American Indian Movement (AIM),” which might have given him a little extra reason to hold onto the label. In the end, it seems that most of the indigenous peoples of North America, have shifted to ‘Native American,’ and along with them, so have the bulk of those seeking to support indigenous peoples or simply to show respect. Mileage always varies, but ‘Native American’ seems to be the norm at this point.

***

I am occasionally reminded that there is at least one problem with ‘Indian’ that “Native American’ does not solve, that is the vagueness of such a catch-all term. This vagueness facilitates a range of problematic thinking. For example, I lost track of the people who asked me if I lived in a teepee while I was living on the Navajo Nation. The Navajo people had never lived in teepees, but the imagination of the American public (and the world at large) often puts them in teepees for the same reason that it put so many peoples from the great plains in Monument Valley for so many classic westerns. To the public at large, an ‘Indian’ is an Indian, and because we can use the same word for so many peoples they think the word must tell us something about them. That the term is really little more than a default category for a broad range of people whose customs were poorly understood when the term was coined doesn’t seem to enter folks thinking, at least not without first giving them a verbal shove in the right direction. Still, to the degree that this is a problem with ‘Indian’ that problem is not much improved by saying ‘Native American.’ Since I began focusing my Native American studies in grad school, I have had a couple friends and family ask me what “Indians believed” about topics like God, reincarnation, or the afterlife in general. Today, I am sometimes asked what ‘Native Americans’ think about the same topics. I often find myself responding to these questions by asking which tribe? Others might ask them why they are asking these questions of a white guy? In any event, the problems with such questions are not much improved by the change in vocabulary. Whichever word we might use, the question assumes implications that just aren’t there.

***

I happened into an interesting illustration of the problem one day while surfing travel blogs. One of these had a lovely account of a couple’s visit to the National Monument at Little Bighorn Battlefield. Their account was thoughtful and respectful, and I do not mean to direct negative attention their way (and in any event, I can no longer find it, hence the lack of a link), but one thing about their post stuck out in my mind. They made a point to say that their tour guide had been a student at the nearby Little Bighorn College, a tribal college, so they had gotten “the Native American point of view” on the battle. (I believe I got the quote right, but in any event, that was certainly the gist of it.)

When people address the significance of the Battle of Little Bighorn (or Greasy Grass) to Native Americans, they are usually thinking in terms of those who fought against Custer and his troops. That would be Cheyenne and Lakota for the most part, (though there were some Arapaho in the village too.) I can’t help but think, those who read the blog in question will naturally think the “Native American” perspective mentioned in the blog will reflect the point of view of those peoples, but Little Bighorn College is on the Crow Agency, and the student in question was very likely Crow. In fact, his or her ancestors may very well have included some of Custer’s scouts. To the degree that his or her native identity may have shaped the story these bloggers heard, it is unlikely that it was shaped in the manner most readers would have imagined.

Now, I certainly do not mean to suggest that a Crow’s perspective on the battle of Little Bighorn should weigh less than that of a Cheyenne or Lakota, not in the slightest. What I am suggesting is that the difference in this case matters. There is a difference between the perspective of someone whose ancestors fought against Custer and someone whose ancestors allied themselves with him. That difference is easily obscured when using terms like ‘Native American’ or ‘Indian.’

…which reminds me of one discussion I had about these issues with my own students at Diné College on the Navajo Nation many years ago. Fed up with my efforts to problematize every term available for the indigenous people at large, one of my own students just asked; “How about Diné?”

…which got us to the end of the lesson about 15 minutes early.

Don’t get me wrong; there are no magic solutions to any of these problems, but some words help us more than others. There are many contexts in which words like “Indian” or “Native American” are tough to avoid, but when you know which specific people you are talking about, it is almost always better to name the indigenous community in question.

A few pics from Little Bighorn College.

(Click to embiggen)

A few pics from the Little Bighorn battlefield.

(Click to embiggen)

And a couple random pics from around the area.

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For an Uncertain Value of “Deals With.”

01 Friday Jul 2022

Posted by danielwalldammit in Alaska, Native American Themes

≈ 1 Comment

Tags

Alaska, Ambiguity, Communication, Education, Indigenous Peoples, Miscommunication, Native Americans, Oil, Tribal Colleges

Prudhoe Bay

Indigenous communities in Alaska are just like those in the lower 48!

…only not at all.

Seriously, there are some significant differences in the way these communities are defined, along with their relationship to the rest of us. I got an interesting glimpse into the differences one day about a decade back when I and a colleague were asked if we could find a local elder willing to meet by teleconference with a college class from a tribal college in the lower 48. We put the meeting together and it went really well.

But one moment from that meeting has always stayed with me.

One of the students from the outside college asked how the elder and others in the Inupiat community here on the North Slope of Alaska deal with oil companies. The elder said something to the effect that you needed strong leadership that could articulate the needs of his own community to those companies. His terms were pretty general, but the student seemed quite satisfied with his answer.

The thing is; I am pretty sure the student was asking out the local community protests with oil companies. I’m also, pretty sure, the elder was thinking about how the local community negotiates a deal with them. To be sure, that negotiation process too could involve active opposition, but for the elder in question, that kind of opposition was by no means a forgone conclusion. He was at least as concerned about a share of the profits as anything else. I do think opposition was for the student; it was the only thing he could imagine an indigenous community would want from an oil company. I don’t think either of them realized they were not really talking about the same things.

I hadn’t been here that long and so I wasn’t sure about this impression, and I really didn’t think these guys needed a white guy appointing himself as a translater anyway.

So I hesitated.

…and the moment quickly passed.

Over time, though, I’ve become even more convinced that my initial impression was correct. Of course, we can find differences between different indigenous communities in other areas, and even between different leaders in those communities. That’s not entirely new, but at least at that moment, I am pretty sure that the prior assumptions of the students in this class and those of the elder were sufficiently obvious to each that they didn’t feel the need to clarify their intentions.

But I really don’t think they were on the same page.

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Special Sarcasm-Free Saturday: Three Indigenous Films (in Ascending Order of Coolness)

13 Tuesday Mar 2012

Posted by danielwalldammit in Movies

≈ 4 Comments

Tags

Aborigine, Atanarjuat, Entertainment, Ethnography, Film, Indigenous Peoples, Inuit, Massai, Movies, Ten Canoes, The Rain Warriors

Okay, I know it’s not actually Saturday, but I wanted the alliteration. I’ll try to stick to the Sarcasm-Free theme though, which should be easy enough, because I actually like today’s subject. Yes, I actually like some things. Honest! Case in point, here is a batch of my favorite movies. They are not documentaries. Each tells a fictional story, but each sets that story squarely in a distinctive “tribal” setting. Each is carried out in the native language of its setting, and each uses native actors. The authenticity of each depiction varies (and that is always a tricky question no matter how it’s handled). Suffice to say that in each of these cases, there seems enough to get my attention, and each tells an interesting story in its own right. We can begin this tour in Africa with a movie called The Rain Warriors (2005). The story follows a group of young Massai warriors as they embark on a quest to slay the incarnation of a deity. Yes, I said “deity,” but it’s worse than that, really. The deity has taken on the form of a lion, and killing this lion-deity is the price it will take to bring rain back to the region, thus saving their people from starvation. In the process, this young group of warriors will also have to prove that they are ready to become men. Given the role of Age-sets in Massai life, it is interesting enough to see a coming of age n this setting, but some reviewers have suggested the plot is a bit too romantic to be taken too seriously. It is difficult to say how much of this premise is genuinely rooted in Massai thought and how much is the projection of its French Director, Pascal Plisson, but the same could be said said about some serious scholarship on the very same subject. In the end, what I like most about this movie is the juxtaposition of the classic coming-of-age theme with the role of warriors. It is a simple paradox. The main characters face life and death challenges, the sort of challenges that separate the men from the boys, so to speak. …and yet, the main characters are boys, a fact which they demonstrate often enough during the course of the story, and sometimes with dire consequences. This feature of the movie isn’t just interesting story-telling. It a truth of actual warfare, that it is often carried out by youth. With so little to separate them from the activities of childhood, these characters must somehow find within themselves the courage and judgement to make adulthood possible. Watching this movie reminded me of the First chapter of Slaughterhouse Five and Vonnegut’s comparison of his own wartime experience to the Children’s Crusade. Add this touching theme to the unique flavor of the cultural setting, and we have a worthwhile sitting. But don’t try to eat dinner while you watch this movie. …unless, you speak Massai. It sucks to read subtitles in between bites of a taco. I’ve tried. Sailing a ways out to sea, we come to the movie, Ten Canoes (2006). This movie is set in the wetlands of Arnhem Land in Australia. With its two European Directors, this movie too has its non-native input, but the team makes a serious effort to produce an authentically indigenous story. (And this is an interesting story in itself, as made clear in the extras provided in the movie.) The most interesting thing about this film (to me anyway) is the double framing of the story. We begin with a humorous narrative by David Gulpilil whom you may recognize from Rabbit Proof Fence, Cocodile Dundee, or The Proposition (to name just a few of his credits). This story sets the stage for another one (depicted in black and white) about a group of men cutting canoes to go hunting birds in the wetlands. One of the men, Dayindi, is envious of his older brother’s wives, or at least one of them (if you get the drift). he also thinks it unfair that he should have no wives while older men in his community should have so many. Responding to his younger kin, his brother, Minygululu, tells Dayindi the story of an ancester similarly stressed by thoughts of his own brother’s wives. This latter story is depicted in full color. So, we have a story within a story within a story. If that doesn’t make your sense of awesome blossom, then you can go suck a carrot! Without giving too much away, the framing infuses the movie with a meaning well beyond each of the individual narratives. Gulpilil’s opening comments help to set in perspective the nature of life itself and the ties between people and their land in Aboriginal thought. The middle narrative sets up a moral dilemma which will generate not one but two separate plot-lines. The conclusion of Minygululu’s narrative then turns out to be an answer to Dayindi’s own dilemma. Its significance for the opening narrative is a little less clear, but that just leaves us with something to think about. And a reason to watch this movie yet again. And Finally we have Atanarjuat, or The Fast Runner (2001). This movie is set in Canada, or more properly Igloolik. It’s cast speaks Inuktitut throughout the film. To say that this is an Inuit production would be putting it mildly. The plot for the movie is derived from (and largely faithful to) an Inuit story. It’s directer, cast, and crew, are all Inuit. (Okay, maybe not everyone on the crew, but you get the idea.) And just to be clear about this, the intended audience appears to be Inuit as well. (To say that Inupiat seem to like this film too is putting it mildly.) True to the nature of native story-telling, the film wastes little time explaining the cultural landscape, or establishing the setting in which its characters live. The movie is made for those who know the setting and will recognize its central characters and themes. It gets right into the plot, relating the central challenge of Atanarjuat and his family, a powerful curse which is to haunt his family throughout the story. The curse which begins the story is placed on Atanarjuat’s father, leading the family to experience great hardship. In time Atanarjuat and his brother grow strong and prove themselves capable hunters. Atanarjuat himself vies with a rival, Oki, for the the affection of a beautiful young woman, Atuat. The twists are turns in this story are many and varied (I cannot do justice to them), leading eventually to the scene which provides this film with its English title. Attacked in his sleep, Atanarjuat flees naked across the sea ice, chased by three spear-wielding foes. And here, let us take a moment to acknowledge the lead actor in this production, Natar Ungalaaq, for the bad-ass that he is. The man did in fact run naked across the ice during this production. yes, he had some fake feet made, but they didn’t last long, and otherwise he was naked. How cold was it? When he was naked? Well, here’s a clue, the ocean underneath him was frozen! Bad ass. BAD ASS! There is an interesting twist at the end of this movie, which I will not relate here. Suffice to say that there is at least one respect in which the film deviates from the traditional narrative, It was a conscious choice and one that substantially changes the meaning of the story, hopefully rendering it more salient to modern life. To learn what I am talking about, you are just going to have to watch the movie. Okay, this may not be entirely free of sarcasm, but then again it isn’t really Saturday either. What did you expect? Postcript: I have heard good things about The Orator (2011), a Samoan film which is unfortunately difficult to get in the U.S. and more difficult still here at the top of the world. Luckily, a copy has been floating around here in Barrow and I am hoping to get my hands on it soon.

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