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Vegas Street Art 3, …but First a Couple Pigeons!

21 Sunday Jul 2013

Posted by danielwalldammit in Bad Photography, Las Vegas, Street Art

≈ 5 Comments

Tags

Art, Henderson, Las Vegas, Murals, Photography, Photos, Pigeons, Street Art, Vegas

Hot Birds!

Hot Birds!

Just how hot was Vegas this June? Well, just ask the pigeons.

Seriously, ask the pigeons.

My Vegas vacation this year wasn’t entirely a story of hyper-heatitation (it’s a word now, dammit!). My Vegas Vegation was also a story of big-ass moons, …which I failed to capture, of my friend’s Pathfinder campaign, and my Sister’s new truck. Before that it was a story of her grand-daughter, and of course it was also a story of street-performers and odd museums. It was definitely a story of Mongolian grills, Korean BBQ, and of the Komol Kitchen, …which makes the best Tom Yum Ghai Soup in the fricking Milky Way. It was also a few stories best left untold.

Okay, the untold stories aren’t that exciting. No slot machines were hassled and no hangovers were harmed in the preparations for this post.

But, more to the point, it was also a story of street art. Of course, I had already covered much of the street art in Vegas here and here. I did manage to find a few pieces I hadn’t covered before, including a wonderful historical piece in Henderson by an artist named Giuseppe Abriu. Some of them even appear to be new. So, without further mumbly -gumbo…

House in Henderson.
The 50 Years of Henderson Mural by Giuseppe Abreu contains multiple bits of coolness
Abreu mural in close-up.

Nuther Abreu close-Up.
Girl behind bars!!!
Power Transformer 1)

Apparently power transformers are abstractions! …sort of.
Abstractions under the trees

What is this on Russell Road?
Oh!

Mural dedicated to mining in Henderson.
I’m really not sure what this means, but it’s in the arts district.
Flower Power!

This mural was hidden in plain sight.
Wild face.
Sensual Blues

Okay…
Aerosol deities
Odd Face

Good or bad, these guys are odd either way.
Somber portrait
Sexy girl with hair.

Obama, hm…
Other, hm…
the punch line is missing here, but a possible explanation seems to be at hand.

Lonely egg!
Best not to do that.
He’s a Ninja, run!!!

The bottom of this one appears to be new. Couple close-ups to follow).
Big flowers!
More abstract transformer painting goodness

You should never run this way.
Signatures on a grey.
Buncha faces

Four Faces
This girl is cool!
Sex-appeal is fading

8-ball
Looks like an angry Panda with mutant powers.
Wall, at least some of it looks new to me.

Something creepy in this corner lurks!
Bright-colored signature
Small eyes.

Most of the pieces in this pic you’ve seen before, but I just like the overall shot.
Aerosol cans as military commanders?

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A Tale of Two Beaches

20 Saturday Jul 2013

Posted by danielwalldammit in Bad Photography

≈ 7 Comments

Tags

Arctic Ocean, Beaches, Jelly Fish, Laguna Beach, Ocean, Photograph, Photos, Pictures

I’m busy flying about with a small cadre of students (got to catch up on some comments from earlier posts), but I thought I’d share a couple photos with a nice bit of contrast. Okay, so this many jelly-fish isn’t a common sight on our beach, but then again neither is my friend Lauri.

Laguna beach, June 2013

North Slope, July 2013

North Slope, July 2013

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A Rambling Little Bit About Rock Lyrics

13 Saturday Jul 2013

Posted by danielwalldammit in Music

≈ 2 Comments

Tags

American Horse, Beelz, Commercials, No More Tears, Ozzie Osbourne, Rock&Roll, Satan, The Cult, Uncle Tom's Cabin, Warrant

MV5BNzk3OTYyMzc2Nl5BMl5BanBnXkFtZTcwMTk3NTUyMg@@._V1._SY314_CR27,0,214,314_So, I’m tooling around Vegas a couple weeks back, listening to Ozzy’s Boneyard when I hear this story about the origin of No More Tears. Apparently, Ozzy was in the bathtub, so the story goes, when inspiration struck.

I’d always wondered about that.

It’s just a little disappointing, isn’t it? I mean, this is hard rock and metal. All this time, I thought the Devil himself was supposed to be speaking to us through Ozzy. Is he using commercial jingles for a translator? I suppose that could be, right? Perhaps his evil word is too much for the ears of a professional musician, so maybe the Dark Lord has to find a truly evil minion to convey his word to the chosen spokes-stars. When he wants to reach the masses he turns to rock-stars; when he wants to reach rock-stars, Satan turns to advertisers.

…which actually makes sense to me.

19101819-5431-28That aside, you have to wonder if the folks from Warrant ever realized why the phrase “Uncle Tom’s Cabin” resonated with them. Seriously, I can just imagine it. They are sitting their, doing what rockers do when they write lyrics (and seriously, whatever the procedure is, I hope it’s truly depraved), and they are trying to write a song about a brutal murder out in the boonies, and suddenly somebody comes up with this reference to Uncle Tom’s Cabin. Does everyone just think it has a nice ring to it?

Or better yet, maybe they knew what the were doing all along! Was that song a stealth history lesson, guys? Subliminal edumacation comin’ through your radio. Cause that would be awesome if it were true.

By ‘awesome’ I might mean ‘awful’.

Really, I’m not sure which.

Speaking of Rockin’ History lessons that almost happened, I can only assume Ian Astbury was well aware of the fact that there really was an American Horse. Given his own love of indigenous themes, I’d guess he was thinking about that very person when he wrote the song American Horse. At the very least, I imagine he was thinking about the old Lakota leader when inspiration for that tune began to take form, but of course “American Horse” isn’t actually about American Horse, at least I don’t think so.

…which come to think of it is probably just as well.

Gosh, Old Nick sure does work in mysterious ways:

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The Erotic Heritage Museum of Las Vegas: A Misadventure in Mainstream Pornography

12 Friday Jul 2013

Posted by danielwalldammit in General

≈ Leave a comment

Tags

Cultural Criticism, Erotica, Exotic Heritage Museum, Gender, Las Vegas, Pornography, Sex

My friend Sarah, from “A Knitty Society” has finished her own critique of the Erotic Heritage Museum. Her thoughts on the subject can be found in this post.

Socioknit's avatar

Ok!! I finally stole some free time to finish up my review of the Erotic Heritage Museum in Las Vegas. Thank you readers for being so patient! 😀 Oh and, before I begin, let me just say that as a person who studies sex and gender is multicultural contexts, I am very sensitive to human sexuality and to the controversy of sex work and its hotly debated legitimacy. My intention with this post is the critical analysis of the Erotic Heritage Museum and its themes -which deserves it- not about the legitimacy of sex work or the porn industry.

Recently, I went with my husband and a friend (Northy) to the Erotic Heritage Museum here in Las Vegas (check out his article here!!). Yeah, I know…the last place you may expect to find a museum about sex, right? Well, that’s one part of the joke; it was actually located…

View original post 1,302 more words

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All Your Norths are Belong to Me!!!

06 Saturday Jul 2013

Posted by danielwalldammit in Alaska

≈ 18 Comments

Tags

Alaska, Arctic, Barrow, Celebration, July 4th, Temperature, Travel

I have been back in the arctic for about half a day now. I arrived just in time to catch the end of the July 4th games. That’s what folks do here on accounta fireworks just aren’t that interesting this time of year. So, here they hold about a week of games. I missed the Umiaq (skin boat) race, but I caught some of the tug-of-war games just before the close of events.

After a week of record heat in Vegas, the differences are quite striking. I like to get out from time to time, but I must say it’s good to be home.

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Lefty Love of Country: A Few Self-Indulgent Comments

04 Thursday Jul 2013

Posted by danielwalldammit in Politics

≈ 9 Comments

Tags

Ambivalence, America, Jingosim, July 4th, Nationalism, Patriotism, United States

036Do you love your country?

For some folks that must be an easy one to answer. For at least a few of us it is a bit more difficult, not the least of reasons for this being the hint of blackmail in the question. Few things will chase off ones affections quite so effectively as the feeling that one is being bullied into it.

It hasn’t always been that difficult.

I remember a particular July 4th (1980, I think) when it was particularly easy for me to say how I felt about my country. I and my rifle team were representing the state of Wyoming at the Daisy International BB-Gun championships in Bowling Green, Kentucky. (As I recall, teams came from 48 states plus Mexico and Japan, …hence the “International” part of a primarily American contest.)

Those that have read my comments about the rights of gun-owners (or at least about some of the crap–rhetoric produced in support of those rights), might wonder just what I was doing at such an event, let me just say that I was a very different person at 14. I should add that the NRA was also a very different organization at the time.

If your guessing that a double-dose of God and country were part of that ideology, then you are guessing right. With the whole shooting contest falling on Independence Day, you can imagine what the night’s festivities were like. The fireworks were spectacular, and spectacularly close. Bits and pieces fell on us as we looked up in the sky. But long before that bit came the Star Spangled Banner. Standing there, with my hand on my heart, representing my state, I couldn’t have loved my country anymore without causing something to pop.

That was many years before college, before reading certain books, before meeting certain people, before I developed a grasp of the news, and well before I had come to see Ronald Reagan as anything but the best damned President ever to eat a jelly bean in the Oval Office.

It was also well before anyone had ever suggested that a dirty commie like me ought to go live in someplace like China.

Faced with that one, I always wanted to respond with something along these lines; “I live in a Constitutional Democracy where I get to say what I want about m government; if that doesn’t sit well with you, then why don’t you leave!?!” That probably wouldn’t have been the most constructive thing to say, but it would have felt good. …I honestly don’t remember if I ever actually said that, or even if I had many real chances to. I just remember that it was always the response that jumped to mind in the face of the love-it-or-leave-it gambit.

What my pet response does reveal is a conventionally liberal sense of patriotism, a notion that for all it’s problems, American government embodies some principles worth keeping, principles that may help us sort the problems for that matter. The point of this line of thinking was at least partly to take (or perhaps to take back) ownership of the values turned against me (and others) in such rhetoric. It was also, at least partly the emotional response of someone who actually did love his country, perhaps even enough to simply lash out when called on the issue.

***

Which reminds me, somewhere the Lakota writer, Vine Deloria Jr. once wrote that one of the ironies of American patriotism was that it could be expressed both by waving a flag and by burning it. …Deloria could be a very wise man, indeed.

***

I don’t know that I fully embrace that conventional liberal account of this country anymore. The classic themes of liberal politics now compete with criticisms far more sweeping than that, a sense that some of our nation’s problems are beyond the scope of its present virtues. This is perhaps one reason why my July 4th posts are typically filled with self-reflection rather than unabashed celebration.

…although I really just don’t do unabashed celebration.

In the end, I would have to say that I do love my country. I love my country in much the same way that I love my family. Growing up, it is easy to believe in the exceptionalism of one’s own kin, to think of them as standing a head taller than others in one form or another. When you are a child, it is easy to think of the differences between other families one’s own as confessions of sorts on their, each deviance from one’s own model being a flaw in the make-up of other families.

There comes a day (let us hope) when the illusion falls away and one comes to realize that his own father is not necessarily the wisest, bravest, and strongest man that ever lived, that Mother’s love is not quite as pure as a field of fresh snow, and that one’s siblings are not truly unique in their virtues. There comes a time, when one learns to see in the flaws and personal squabbles of his family a fatal case against its superiority. Each of your kin has their merits and their flaws, but what neither you nor any member of your family can really claim is an exalted place above the world of others. And for most of us (again, …let us hope) one goes on loving his family long after realizing this.

You go on loving your family, not because you are deluded about their special qualities, but because they are yours. You feel their heartaches in your own chest, their victories in your own smile, and their frustrations in your own pulse. So too with one’s country. Much as a running feud with a sibling, complaints against your country become yet another source of connection to it, and if you allow this to happen, one which ties your aspirations to the welfare of the nation.

I should add I don’t see anything particularly noble in this sense of affection. I certainly don’t see it as obligatory, and bear no ill-will against those that don’t feel it. I won’t be sneering at those for whom this ambling excuse for a post doesn’t resonate. It’s just my own sense of how I feel about my country. I do love it, not because I think it’s exceptional, but because it is mine.

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The Erotic Heritage Museum in Las Vegas: A Very NSFW Review

29 Saturday Jun 2013

Posted by danielwalldammit in Las Vegas, Museums

≈ 24 Comments

Tags

Education, Erotic, Erotic Heritage Museum, Gender, Institute for the Advanced Study of Human sexualit, Las Vegas, Museums, Pornography, Sex

050There is a certain kind of pornography that presents itself as a documentary film. It’s been awhile since I’ve watched one of these mondo films, but let’s just say that I learned things about lesbians from that flick that would, …well, probably surprise a lot of lesbians.

…yep.

The Erotic Heritage Museum reminds me a bit of such movies. Oh, I didn’t notice any outright disinformation, but it has that same odd fusion of license and libido, the same sense that an excuse no longer necessary has been turned into its own kink. It’s not just sex, it’s education.

…only it isn’t.

It’s is a damned shame, because a serious effort would have been interesting.

Let’s just take a tour, shall we?

I first noticed the museum in my quest for street art, and I must say that I like a number of the murals on the buildings exterior. Here, at least I have to give the place props for creativity. It is interesting that they had to cover the nipples on a couple of these pieces, as if that would really reduce the funkination passers by will witness upon even the most casual viewing. But of course the letter of the law can be as dull as it is senseless, and the girls had to be covered. …a little.

(Embiggen, …if you dare!)

Couple murals near the back door. …or is it the front door?
Apt poster
Window Manikins

Interesting Mural
Quite the Promise
The Grope

Elegant Curves
Youngish
Creepy Sexy

Well Hung, but what is he?
Beautiful and faceless
Naked and shy, …yep!

censored
Kinda posty-porn
Diggin the dumpster wall

Bored Manikins

Once inside, things get a little more interesting, or perhaps a little less, depending on your sense of perspective. One enters into a gift shop, which itself contains two private library collections and an Erotic Wedding chapel. They haven’t quite worked out access to the libraries, so that’s an interesting though currently unfulfilling part of the experience. One might even call it tantalizing! The staff is friendly and helpful, and they seem prepared to emphasize either the educational or the titillating aspects of the museum, perhaps shifting their approach according to the tastes of the customers.

The museum is curated by the Institute for the Advanced Study of Human Sexuality, an unaccredited institution based in San Francisco, California.

According to the Museum’s “About us” page, it is the creation of the Rev. Ted McIlvenna and Harry Mohney, founder of Déjà Vu, a highly successful chain of strip clubs. Money is also a longtime friend and associate of Larry Flynt, of Hustler Magazine fame. His role in creating the museum helps to explain the degree to which ‘erotic heritage’ seems to mean ‘mainstream pornography’ in much of the museum’s presentation. In and of itself, this needn’t be a problem. Located as it is on Industrial Ave., the museum would be a fine fit with much of the adult businesses in the area. And why shouldn’t it be? The problem as I see it is the pretense to commenting on larger issues, only to deliver a sort of ode to the adult entertainment industry. Take for example the following quote from the Museum’s website:

The EHM houses more than 17,000 square feet of permanent and featured exhibits designed to preserve wonders of the erotic imagination as depicted through the artistic expression of acts of sex and love. It is dedicated to the belief that sexual pleasure and fun are natural aspects of the human experience, that such pleasure must be made available to all, and that our individual sexuality belongs to each of us.

The Museum is dedicated to the preservation of great erotic heritage that is typically undervalued, yet is of tremendous importance. The EHM is owned and managed by the Exodus Trust, a non-profit California Trust that has as its sole purpose to perform educational, scientific and literary functions relating to sexual, emotional, mental and physical health. Historical and contemporary erotic materials donated to the Exodus Trust are tax deductible as charitable donations in accordance with federal law. For more information regarding charitable donations, please visit our DONATE page.

What fascinates me about this text is tension between a vision of sexuality as a natural part of life and one which must be shared. …the latter part strikes me as a bit of a euphemism, because I don’t think they are talking about the kind of sharing between a man and a woman in their own bedroom, or even of a man and a man, or a woman and a woman, or two men with 4 women in front of twenty others for that matter. No, the point of the sharing is in this instance the creation of some medium by which this sexuality can be exchanged, and somewhere in here that in itself gives way to the commodification of sexuality. Hence, the broad beautiful mandate for sharing of sexual freedom becomes a function of market values, and the themes explored in that sexuality quickly become a function of ownership and corporate capital.

Of course such commodification happens all around, and I’m not particularly shocked to find it happening with sexuality. But let’s just say that a little self-awareness helps, and when folks promise a museum dedicated to sexuality at large, it is little irritating to find that they have little to say about sex occurring outside of a men’s magazine or a xxx movie theater.

That said, let’s have a look at the Gift Shop (Click to embiggen):

Wedding Chapel
Institute
The staff are not normally dressed like this.

Yep!
Actually digging this.
This reminds me of a story from Richard Drinnon’s book on the Metaphysics of Indian hating. It’s not a very pleasant story.

Okay, I know it’s an alarm, but after all that cognitive priming…
Pornalized Clothing!
Okay, I actually like some of these prints.

Poster
Inside the dicks!
Sacrilegious Supper

After paying a very reasonable $10.00 entrance fee, one moves through a simulated red light district on the way to the main gallery. The red light district falls completely flat for me. Simply put, a red light district is not a red light district without people. All the store fronts and simulated sex businesses in the world will never convey the sense of such a place, and so this part of the museum more than any other simply fails on all levels.

I would add that the big poster on First Amendment issues is simply too high to be read in the dark, at least by people without superior cat-eye magic-vision. So, that too is lost on the customer. It’s place in the museum is also at least a little odd. Of course the connection comes from the tension between erotic expression and censorship. This is not entirely limited to the porn industry, though they have played a key role in defending such expression. The bottom line here is that there is certainly a place for this content in a discussion of erotic expression, but one has to wonder if the context for it has been well framed, especially when posters like this one are just dropped into a collection that is otherwise on the surface at least a-political. One has to wonder if the rhetoric of free speech hasn’t become an essential part of sexuality for the museum’s curators and staff. …as opposed to a historically situated feature of sexuality as filtered through the conflict between the particular powers of the industrialized West.

In any event, this is the red light district:

He has a tie
Red Light
Neon Girl

Red Light again
Moar Red Light!
Red Light Again

Okay, this is funny.
First Amendment

The main room actually comes in two floors, both essentially arranged into one large round presentation floor. The top floor is a private collection, and I don’t have any pictures of its content. The bottom floor has an amazing quantity of interesting materials. Unfortunately, the arrangement leaves a lot to be desired. Many of the more exotic items are left almost entirely without explanation, while images associated with the mainstream porn industry and its political battles dominate the outer walls.

For example, we get very little information about sundry deflowering devices scattered throughout display cases, but the sections describing developments in pornography get much fuller treatment, as do numerous celebrity sex scandals. So, a practice that the average customer will not understand without some presentation to put it in context gets nothing in the way of an explanation while stories many of us have seen before get plenty of coverage. This works fine if the point of museum is to promote the pornography industry; it does not work at all when the declared point of the museum is something much broader and more enlightening.

And here, we have an interesting question, what does all the exotic cultural material mean to the average customer as opposed to those for whom these items were originally developed? Indeed, just how sexual is all this sexual memorabilia in its original context? How does a customer interpret an African deflowering device, for example, in the absence of any reason to believe it isn’t just another sex toy?  I can’t help but think that – presented as it is, with so little explanation – the sole lesson that many customers will take away from the ethnographic materials will be that other peoples are damned kinky. There just isn’t enough context to compete with the sexual background of the museum itself and the likely skewing off all things by an emergent narrative emphasizing sex and strangeness.

…it’s a bit like looking through old copies of national Geographic just to see pictures of the naked natives.

Note the uninformative caption
Statuette
Okay, this was all created by one guy, as I recall.

Erotic Art
REALLY uninformative caption card.
Interesting Statuettes

An Old Deflowering Device
Damned Disappointing

Could we be just a little more specific?
Red Tip
Forever fucking!

Interesting Barrels
Japanese Deflowering Instrument
Indian deflowering Instrument

More from Japan
Reproduction
Not sure what “primitive” means here, or what the scare quotes mean in this instance

Sexy Figurines
African fan
Sex

Some of more the playful aspects of the exhibit are quite wonderful. The million penny penis is pure gold! …or, copper, really, but the point is, I approve! The bathroom with all its graffiti (pens are provided) is at least a little interesting, but honestly it looks like it’s time to paint it over and let people start again. Other amusing displays certainly can be found, but they are jammed together in such a haphazard fashion, and with so little explanation, that is can be really difficult to make heads or tails of what one is looking at.

Strangely, a number of displays are given to various sexual scandals, and the treatment is (ironically) quite punitive. It makes sense of course for those interested in free sexual expression to feel a little vindicated when various anti-porn crusaders or seemingly repressed right wing cultural warriors get caught with their pants down (sometimes quite literally), but some of the folks appearing on the wall of shame just don’t fit that most. More importantly, at least some level, one ought to appreciate that this is to be expected. Rather than ‘haha’ might one say “welcome back to humanity?”

In any event, the museum never does give us any context in which to elevate the “Wall of Shame” beyond the level of pointing and laughing. That doesn’t strike me as worthy of a museum, and if I am going to laugh, I would rather laugh at a penny penis than people proving themselves all-to-human, …even those who may have wished otherwise.

Wall of Shame
Clergy
Celebrity

Other

So, once again the museum presents an odd blending of politics and sexuality, one if which the curators seem to have let the one skew their sense of the other a bit too much in my estimation. In any event, here is the bulk of the first floor stuff (if you click on the pictures, they get bigger, …really!)

The Sister’s of Perpetual Indulgence are definitely worth a google.
Art and Larry Flynt
Free Speech Coalition

Hidden Narrative
I wish I could remember where this was, but it’s unfortunate.
Does the world really need another derivative decalog?

Chicken Ranch
Does anyone else remember that awful song?
Personally, I prefer… nevermind.

Y’all should go over to A Knitt Societ and ask Sarah if she has anymore pictures of this display.
Information Panels
They actually had quite a few gag-stills from movies

Okay, this is at least interesting
…alright
Flyntobelia

Erotic Art
Erotic Art II
Sundry Sexy Stuff

I wonder if the designer was aware of the torture device he was emulating?
Moar sex Stuff)
You might wonder what some of that stuff had to do with women’s health…

Ah here is the health content.
Just a little disturbing.
More venting about scandals

Hustler
Million Penny Penis
Stuff

Moar Stuff
All Hail Flynt!
Transgendered folks

Actually, I would have loved to have seen a lot of of this kind of stuff.
Old Devices
You needed a closer look, didn’t you?

They had a few more of these old devices, and the info. on them wasn’t terrible.
On the way to the bathroom
bathroom

Before signing off, I want to say thank you to Sarah from the blog, A Knitty Society. She and her husband accompanied me through the museum. I very much enjoyed discussing the materials with them, and I look forward to reading her own post on the museum. Y’all should definitely check out her blog.

And let’s finish with a bit of zoological interest:

Animal Penises)
Raccoon Penis
These are common sources of artwork up North

I suppose I should add that I actually think there is a lot of potential in this museum, which is what makes its present state all that much more disappointing. The staff certainly have a diverse range of talents, and they have a fantastic collection of interesting materials on display. What no-one seems to have done at the Erotic Heritage Museum is thought through the kind of effect the want to produce and just how much the museum is intended to promote education as opposed to titillation. Frankly, I think they could manage both a lot better than they presently have. One has only to get past the point where a momentary glimpse of things-sexual is enough to satisfy the mind and the libido all by itself. All of this stuff has context; the folks at this museum really ought to provide that.

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A Brief Lapse in Sarcasm and a Moment of Unabashed Provincialism

25 Tuesday Jun 2013

Posted by danielwalldammit in Bad Photography

≈ 13 Comments

Tags

Alaska, Clouds, Depression, Las Vegas, Photograph, Photos, Skies, Sun

ChicagoaginI spent 3 years in Chicago. I well remember how miserable that first few months happened to be. I had plenty of cause to gripe, but truth be told that didn’t quite explain my mood. I couldn’t quite get a handle on what had me so down, but I learned a thing about the matter when I stepped off the plane in Corpus Christi, Texas, and suddenly felt better. I remember just standing there on the tarmac, trying to figure out what was different.

Then I saw it. Only it wasn’t anything specific, but I saw it just the same.

For the first time in months, I could see for miles. In Chicago my view of the skies had been blocked by sky-scrappers, and dense cloud-cover had blocked what little was left of the skies. I hadn’t seen much of the sun in close to a month, but there it was, right where I had grown accustomed to seeing it, along with all that space. And that alone seemed quite sufficient to lift a load off my back.

It was a lesson well learned, though it certainly surprised to me at the time. Place mattered to me, and open skies seemed to be a big part of what gave a place it’s worth in my estimation.

***

I had recently forgotten how much I miss the Southwestern skies. The clouds always seem so much further up in the sky than they do in Alaska. Now that I am down here again, I remember just how beautiful the sunsets can be in these parts. Whether the day went well or worse, they can certainly put a warm finish on it.

(Simon says “Click to embiggen!”)

 

Santa Fe
Denver Skyline
Denver Again

Denver Trees
Clouds Over Denver
Vegas

Vegas II
Vegas III
Santa Fe Train Station

Of course now that I am down here I also miss the arctic skies. The clouds always seem so near the ground, it feels like you could just reach out and touch them. Time and again, I have taken pictures of something else, only to find the Alaskan sky has stolen the show. I will see these skies again soon.

I can’t wait.

 

I was going for the bit of snow graffiti, but I got a sunset pic instead.
Red House
Thick fog, rolling in off the sea.

Clouds over a pond.
Barrow on a May night
These clouds remind me of dried salmon flesh.

Clouds over the ocean.
Hauling in the last whale of the season.
The final whale harvest of the season.

Deadhorse

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Casinos Kinda Bore Me (So Let’s Hang with the Street Performers)

17 Monday Jun 2013

Posted by danielwalldammit in Las Vegas

≈ 10 Comments

Tags

Comedy, Homelessness, Las Vegas, Magic, Music, Nevada, Street Performers

(161)I never go down to the strip. By ‘never’ I really mean ‘almost’, but anyway, this trip was one of those exceptions. I came down a couple times to give my money to these guys (much better than dropping it in a slot machine. …seriously, you walk in a casino and look at all the people playing slots. If you see one person smiling, then you’re beating the odds on that one. But anyway…

There seems to be a fair range of different people working the strip. Some folks appear to be in desperate straights, doing what they can to hustle up some cash. Others have made a genuine profession out of it. …and no, I don’t figure those are mutually exclusive narratives.

The range of performances vary as well. Some folks have reasonably well-developed acts. Others simply dress up in a costume and pose for a dollar a pic. All of them appear to work for tips. They can get rather aggressive about that dollar too; don’t even try to snap one without paying the guy in the costume. No-one looks cool when they are getting their ass kicked by a guy in costume.

Of course the streets are also filled with folks handing out small business cards. They only offer these to the guys, for some unknown reason (cough), but they give you a whole bunch at once. I don’t want to go into details, but let’s just say that apparently a girl named Jackie is just waiting to hear from me, and Heather makes house-calls. Candy might even bring a friend!

Anyway, I have a couple videos below. …click to embiggen.

I’m not sure what a Statue of Liberty means in this context, but I’m pretty sure there is at least an ironic implication or three,
Meet Constant
I’m really disappointed, my video of this act didn’t come through. He’s quite remarkable.

Constant
Living Statue
Ace, Paul, and Peter were nowhere to be found.

Okay, so I think this is how these pictures are supposed to go.
Equipment just left there.
These guys were in town for a comic book convention.

Living Placard.
He plays and plays…
Almost lured me in, she did.

I think these girls may have been the real thing; they were, um, …flexible.
Guess these guys are in town again.
This Elvis made a point to find out where I was from.

He’s Batman!
He posed for the picture.
See, this bastard is the reason Vegas is so dry!!!

I really like this kitty!
Hello Kitty!
Moon and Tower

Transformers!
So, were is Gorp or the Asteroids Ship?
Comedy-gician

Hey look; a Gold Guy!
Elvis after he has left the building.
More Vegas Buildings

Card Hawker!
Yeah, …Vegas has one.
Yep, there is a person in there.

I wanted to get a complete video of one of these.
There is a bad joke in this picture. I won’t write it, but I’m a terrible person for thinking it.
They look so much bigger in person.

Colorful …yep.
Just Random Buildings. …they don’t do tricks or sing or anything!
Spider People Flash a Peace Sign!

I didn’t have anyone to buy a flower for, so he just posed for a picture.
Don’t leave!

.

.

110

110

71.271549 -156.751450

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Not Raised by Wolves, but Damned Close!

14 Friday Jun 2013

Posted by danielwalldammit in Animals, Childhood

≈ 33 Comments

Tags

Baby-Sitters, Cats, Childhood, Dogs, Horses, Navajo, Nostalgia, Parrot, Pets

Legs, Rover, and Spooner

Legs, Rover, and Spooner

The worst thing Johnny Cash’s dad ever did to him was to name him ‘Sue’; the worst thing my Dad ever did to me was to teach the family parrot my name.

Okay, so one of those is a fictional event; the other taught me just how far the voice of a young parrot can reach. All the way down the block, it would seem, and ‘Ginger’ could keep it up for hours.

It was in some small way, poetic justice to learn that Ginger would attack Dad whenever he came near me as I was sleeping. I used to put her on the couch when I took a nap so she would be quiet. She allowed no-one near me, especially not Dad. It’s hardly the first time an animal had appointed itself my protector, but there was something especially impressive about that little green bird charging full tilt at someone umpteen times her size. Lessons in loyalty, huh?

In the end Ginger turned out to be a guy-parrot, and he became unmanageable when he finally reached maturity. We found him a home better prepared to take care of him. I can only hope he is still doing well today. …and yes, I still think of him as a her; it’s kinda weird, I know.

(Click to embiggen)

Ginger and I, 1988
Playful, just like a kitten
Really Playful

She wouldn’t let us near her toys either.

What has me thinking about this is a notion I recently had about my days in Navajo country. I often heard from older folks that sheep used to raise the children out there. This theme was usually mixed in with one of those declensionist narratives about the loss of culture and those gosh-darned kids! Older folks always have such stories, but some of them are more interesting than others.

I always thought the livestock-as-nanny theme was an interesting twist on this kind of story, not the least of reasons being that the difference between the adults I spoke with and the younger generation did seem to include this one very real difference. Many of the older folks (and here I would include people in their 30s and 40s as well as ‘elders’) out there really had grown-up herding sheep and goats, and evidently they found this to be a valuable learning experience. Few if any of the younger kids out there in the mid 90s had had this experience. Hell, they likely had the same baby-sitter I did as a kid, …the TV. That was one very real difference between different generations of Diné, and it always struck me as a big one.

Listening to folks tell me this story, I could well imagine a lone child (or perhaps a few cousin-brothers) out alone with a flock, responsible for its welfare. I could imagine hours of time spent with sheep and goats for company, and I couldn’t help but wonder how that might shape a developing young mind. I still wonder how very different childhood must have been for a generation growing up without it.

A sheep may be an odd baby-sitter, but so is a television.

The notion that animals could help to raise a person always struck me as a profound lesson, but it always seemed to me a lesson about the lives of others. It was only recently that I came to think of this as more generally applicable, perhaps even something that might shed a little light on my own life. A few weeks back I was studying the many scars on my hands, most of which I got from playing with a pair of Siamese-mixed Kittens (‘Boots’ and ‘Rover’) we got when I was a kid. I hadn’t even earned the majority of these scars due to anger, just from many hours of play. Like most boys my age, my elbows were bloody from about the age of 6 to maybe 12 or so. But my hands also had little claw scars for most of that time as well. Most of them were small and shallow, just enough to tell me ‘gotcha’ with a sort of wink, but some were big and deep, because sometimes a cat is done playing. Anyway, I always seemed to have such scars on my hands when I was younger.

RanchinColorado2The point is that I spent a lot of time with the family pets, especially between the ages of 4 and 8, when for some reason my family moved to a ranch in Southern Colorado. I had no human playmates within walking distance, well except for a trio of girls that lived down the way for a couple years, but they were, well, …girls! I preferred to ride my horse or play with the cats. Recently, I’ve come to wonder just what kind of marks they have left on me?

…besides the literal ones, I mean.

Is there any sense in which the family pets raised me? If I had to guess, I would say that my sense of humor is to some degree the legacy of those cats, right down to the moments when it fails me. My verbal play is in some ways a reflection of my days playing with those cats. In particular, I am thinking about the way a cat will assess your intent, the way it trusts a playmate up to a point. …and the way things can get ugly fast when you’ve reached that point. Wrestling with a cat is a real test of goodwill, and you are always one menacing gesture away from one of those deep scars, so to speak. I spent a good chunk of my childhood playing on those terms, and I suppose I have internalized them. So, maybe Boots and Rover did raise me.

…or would it be more accurate to say that we grew up together? Either way; they left their mark.

Me with either Boots or Rover.
Boots
Rover coming through the curtains.

Rover Sitting Up.
Rover being beautiful
Rover on a couch.

We also had a small pack of dogs on that ranch, and kept the pack for many years after, but I honestly don’t think these guys had quite the same impact on me. I understood the big dogs and how to keep on their good side, and the little ones were always good company. I loved each of the family pets, and I always felt a little more comfortable in their presence, but my interactions with the family dogs were nowhere near as intense as those with my cats.

Thai Ling

Thai Ling, August of 66

Of course we also had an older Siamese, named Thai Ling. This cat was beautiful, but he had quite a temper. My older brother and sister still tell stories about a terrible event involving a dresser drawer and plenty of blood spilled upon opening it. No-one disputes that the cat had been stuffed in the drawer. Who put him there is still up for debate.As I understand it, poor Thai Ling may have helped one of my siblings with a few experiments testing the nature of gravity and cat-reflexes.

I never held it against Thai Ling that he was so cranky. Mostly, I left him alone, or stuck to petting him, which was dangerous enough. It is entirely possible that Thai Ling is responsible for at least a few of the scars on my hand. I certainly didn’t play much with that old guy.

Just what I did to earn my parents wrath, I will never know, but I am fairly convinced that the Shetland Pony was an attempt to do me in. I couldn’t have been older than 5 or 6 when this creature came into my life, and the worst thing about him was the child-like reins that I was given to ride him with. These reins had a closed loop at the end, presumably so that it would stay on his neck whenever I let go of them. The problem was that I never did let go of them, even when ‘Scooper’ would suddenly drop his head down to eat some grass. The reigns weren’t that long, and so I would inevitably go tumbling over Scooper’s head and onto the grass in front of him, coming up with my cowboy hat down around my then bawling eyes, asking someone to help me up.

…and this tragedy would repeat itself until the adults in my life grew tired of watching it.

Meonapony

Me on a Pony, Neither Scooper nor Little Bit.

Later, my parents bought got a Welsh Morgan for me. I wanted to call her her ‘Blacky’, but somehow she ended up with the name ‘Little Bit’. I had completely forgotten that name as I wrote this, btw, had to come back and edit the post). Little Bit was a good horse. …except when she decided to head to the barn. If she and I had a dispute over which direction to go, Little Bit always won. My brother once gave me a stick to use as incentive, but I wouldn’t have it. So, I continued to lose the argument with Little Bit until we moved to California and gave her away.

One lesson Little did teach me was how to make the best of a bad situation. If I could coax her all the way to the far corner of the ranch, taking advantage of all the twists and turns in our fence line, then I could point her towards the barn, give her a quick giddy-up kick, and enjoy the ride of my life.

Now THAT was fun!

In time, I got a couple dogs of my own. There was ‘Legs’. Someone brought Legs to my family announcing that he was a Doberman Pincher that had been hit by a car. He was wrapped in a blanket, so we didn’t see much at first. The ears on legs seemed rather large, but none of us knew how big an uncut Dobbie’s ears were supposed to be anyway. He never did outgrow the limp that earned him that name. Legs became my dog as time went on, and mostly I remember playing chase with him for hours. He limped, but he could manage speed when he needed to. …or wanted to. Damned if that dog did not wasn’t an expert at tripping me; then he’d run away cause then I was ‘it’ so to speak. We learned one very important detail about him that first night though. He dragged himself to the door and began howling at the top of his lungs. Suddenly, the big floppy ears made a bit more sense.

…and Dad said; “that’s no doberman.”

Another of the pack that came to be mine was a Peekapoo (Pekinese-Poodle combination) named “Midget.” …okay, some of these names suck, but that wasn’t her fault. Anyway this dog was the closest to a pure-breed that I ever owned. Mom and Dad bought her at a pet store, something I would never do in a million years today (give me a pound-mutt any day, dog or cat, …no offense to Midget). She was a sweetie, and I taught her to play fetch. …she taught me never to do that again. Seriously, that dog would try and play fetch with me for hours on end. Course I may have let that lesson slip with Auto-Kitty. She’s rather fond of fetch.

In fact, I swear to the Invisible Pink Unicorn that Auto-Kitty used to play catch with me. She could toss a toy right to me, and for awhile she did. Now she makes me come get it. And I guess it’s okay that she fetches, because she doesn’t wear me out with the game. If only she didn’t choose 3am as her favorite time to play it.

VID 00042-20110203-0321

VID 00042-20110203-0321

I would be remiss if I left out one other significant non-human from my childhood, the truck. We never gave it a name, and I never did learn it’s gender, but I recall learning to drive on this thing. Dad would put me in the driver’s seat as he and my siblings tossed bails of hay into the back. They’d shout; “stand on the pedal” and “stand on the brake” as we moved down the row of hay, then someone would get in and turn it around to go back the other way, and I would go back into the driver’s seat.

Love this old truck.

Love this old truck.

Later, Dad would have me drive the truck on the dirt roads to the dump. I used to love going to the dump, partly because I would get to drive and partly because we always went shooting for awhile afterward. Dump-day was the highlight of the week.

We still had the truck when I started college. I still remember driving around with a couple classmates, chattering away as we descended down some hill. One friend kept trying to interrupt me, his tone getting progressively more urgent; ‘Dan! …Dan!” I was too busy making some point about who knows what. Finally, my friend shouted out, “Dan, seriously, is this thing going to stop?” …I hadn’t even thought about it. I was pumping the brakes, which is what I had to to before any stop. My poor friend saw me doing this as we approached an intersection and became convinced he was about to die. Had to flutter the gas pedal to get it to start, too, and that freaked him out a little more. For me it was just another drive; for that friend it was like a horror-show.

Anyway, that truck had personality; it was a family member for a couple decades.

Still can’t believe Dad sold it!

Midget
Midget with another dog; I think it’s name was Quayle.
Lady was the grand matriarch of our pack.

Lady, Lindon (the black mutt) and Sessy (the weiner doggish mutt)
Harietta
Sessy and Lindon

Waiting Patiently for me to let them in.

So, what have we learned today? Well, I suppose we’ve learned that family pictures can lead to a serious bout of nostalgia. We also learned that a dog will wear you out playing fetch, but a cat will just wait till you fall asleep to initiate the game…and well, I suppose I was trying for something more profound.

I’m afraid most of my anecdotes don’t quite live up to the promise of the initial question. I do think that most of us underestimate the impact that animals have on us. We may care for them, but we don’t quite give them credit for shaping our personalities. Typically, most people talk about raising and training dogs and cats, or about putting up with their behavior. We may jokingly refer to a pet training us in some way, but folks seldom take the prospect all that seriously. But pets leave their marks on us in all sorts of ways. Sometimes it’s a scar on your hands; sometimes it’s a sense of responsibility for caring for them, and sometimes their legacy is a little more intangible.

The pets you grow up with would seem to be especially important; jut as you are learning how to relate to other people, you are also learning how to relate to them. This gives the four-legged critters and even the flying ones a little say in our development, I think. We don’t just teach them how to behave; sometimes they are the ones doing the teaching.

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