Ah Spring at NARL Can Be So Lovely!

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…and by ‘lovely’ I mean the sound of the snow buntings that you can almost hear over the wind near the end of this video. The rest of it just makes me feel all somehow.

Taking a Knee Either Way

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Respect means different things to different people.

More to the point, respect means something very different for those of us in civilian circles than it does for those on active duty in the military. I couldn’t begin to do the latter subject justice, but I will hazard the observation that respect seems to an elaborate theme in military life. It is reflected in a number of practices and ritualized in a number of ways. It forms a prominent them in stories told by soldiers from just about every generation. Those of us who’ve never been there have the luxury of putting respect in the back our minds, We notice outright disrespect when we see it, and we may even notice markedly respectful behavior when we see it, but most of the time, we can let the issue ride, so to speak. The very notion of respect must mean something very different to someone who has to live in a world where rank matters and salutation is obligatory. For them, respect is an affirmative obligation. For the rest of us it is assumed.

I keep this in mind when I hear veteran’s complain about failure to stand for the flag. I also keep it in mind when I hear demagogues working damned hard to put veterans between protesters and the rest of us. It’s a dilemma. I want to respect someone’s service, but I am also keenly aware that the terms of that respect can be a real threat to my freedom and those of my fellow citizens.

There is a reason that militarism is a prominent theme in fascist circles, and it isn’t because those in such circles have any special respect for the military. No. The elaborate ritualism of respect which is such a part of military life is precisely what fascists want from the rest of us. It’s a kind of ethic, they would very much like to see generalized to the rest of the population. This kind of agenda is easily framed in terms of respect forthe military,

The likes of Donald Trump want us to salute just as a soldier would; they want us all to affirm our loyalty to the state, in terms we do not choose, at times and places wherein failure to do so will cost us something, the respect of our peers if not our actual freedom. Herein lies the perverse trick behind the argument that we must all stand for the pledge or the Anthem, that failure to do so amounts to a direct and willful attack on our military and the veterans who have served in it. That messages seeks to impose a dose of military discipline on the rest of us. Those pushing this message are effectively packaging a very real act of aggression against the citizenry as a simple courtesy.

It’s significant that this message comes nw in direct response to protests over the health and welfare of a significant portion of the American public. The protests carried out by so many players taking a knee in the NFL have a significance of their own, and that significance is NOT a willful attack on the military. They are protesting police abuse and violence directed at African-Americans. The protests are aimed at trying to get something done to curb such abuse and give African-Americans (among others) a fighting chance cooperating chance of surviving a traffic stop or just a walk down the street. Putting respect for the military front and center in the response to these protests effectively replaces any dialogue the protesters might hope to generate about civil rights with a debate about respect for the military. It answers a legitimate concern about the rights of American citizens with a demand for express loyalty from those very citizens. It should be said those responding to the protests have been remarkably successful in this regard. We talk less now about police abuse and much more about soldiers and flags.

We can argue about whether or not pressure from the Trump administration to stop protests at football games actually violates the U.S. Constitution, but the central symbolism remains the same. What the Trump administration has effectively done is to say; “fuck your civil rights, give us our due!” In requiring its players to stand for the Anthem, in direct response to such pressures, the NFL has effectively bent its knee, and the end result will be a national gesture of obedience unparalleled in recent years. Whatever else the National Anthem meant before, this coming football season it will also mean obedience.

The message is rendered just a little more toxic when one considers that the Star Spangled Banner contains a passage mocking the hopes of escaping slaves. Folks don’t sing that line anymore, but it certainly does raise questions about what the song really means to various American citizens. Those demanding we all stand and put our hands over our hearts typically envision a pure statement of love for our nation, a nation that serves us all equally, and one whose claims on our loyalty is pretty much the same for all.

And still, the line is there…

A reasonable person might see that line as a problem. A reasonable person might understand how a black football player might not want to pay his respects through a gesture that denigrates his own ancestors. Of course a reasonable person would understand the concerns over police abuse in the first place, and a reasonable person might think that quietly kneeling during the course of the Anthem was a reasonable response to the whole situation.

Downright moderate when you think about it!

Hell, a reasonable person might want to review a few police procedures, not the least of them being the role of civil asset forfeiture in police budgets, and as a source of escalating conflict between police and certain policed populations. A reasonable person might want to review bias (latent or overt) in police actions and see if there is anything more than can be done to ensure that officers treat citizens properly. A reasonable person might want to ask questions about the significance of increasing militarization in police training and equipment purchases (something right wingers were once concerned about, …back when cows were the main issue of the day). A reasonable person might respond to the whole taking-a-knee debacle by trying to do something about the situation that gave rise to the controversy in the first place.

Reasonable people might be interested in such things.

But these are not reasonable times.

And so, here we sit, watching the Manchurian Cheeto move the whole nation a little further down the road to outright fascism, all with the full flag-waving support of good ‘patriotic’ Americans, millions of whom will sit right on their asses drinking beer next season as players are forced to bend the knee by standing for the anthem. These folks will happily remind us that the players are rich, and so they shouldn’t complain, so we are told. They will mock Black Lives Matter, remind us of the worst excesses done in its name, and they will enjoy the hope that the whole thing makes liberals a little less happy. What they won’t do is anything about the abuse of their fellow citizens at the hands of at least some Police

Consumer patriotism isn’t worth the price of the bean dip served with it.

We are often told that we should be mindful that soldiers have fought and died for the freedoms the rest of us enjoy. That’s a far more problematic claim than most seem to think. Our soldiers are as often used to protect financial interests (which may or may not include the welfare of the average citizen) as they are the rights or even the safety of the American population. That’s not there fault (they don’t get to choose when and where they fight), but the American military is far more abused by politicians using it for purposes other than the noble causes making their way into such rhetoric as it is by any protester in any cause out there. That’s something to consider when this thoughtless crap is tossed in the faces of those exercising the very freedoms in question. More to the point, if we are to remember people who fought and died in the name of American freedoms, that memory would surely include an awful lot of activists, protesters just like those people seek to silence with this feigned respect for the military. And its a perverse irony that respect for the one could so easily be used as a means of silencing the other.

…which brings me back to my first point salutation is an obligation for those in the military. For the rest of us, it simply isn’t. Whatever respect we owe those that have served, that respect itself is poorly served when we collectively take on the rituals and the obligations of the military, when we surrender the freedoms that the military has supposedly fault for. Those rights include the right to refrain from public gestures of fealty; they also include the right to walk down the street without fear of assault by law enforcement.

It’s a painful thing to think that some sincere people may be hurt by protests such as those taking a knee. It is at least as painful to think that some very insincere people will get the obedience they demand by manipulating a civilian public’s regard for military service.

At the end of the day, all of this leaves the primary issue untouched. We still have a law enforcement problem in this country. Some folks want to change that.

And some would rather us drink a beer and watch the gladiators salute the emperor before bashing their brains out for our viewing pleasure.

 

Film Festival?

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Motif Film FreewaySo, a couple of friends and I are putting together a film festival, scheduled for August 3-5 in Fairbanks.  We are interested in all manner of independent submissions, but we are particularly interested in just about anything with a social consciousness, so to speak. If you happen to make films, please consider submitting to the festival. And if you happen to like independent films, then please consider watching a few with us in August.

…and if you don’t know, and haven’t been, yes, Fairbanks is gorgeous in August.

We have the following to say for ourselves…

Films from everywhere and of all genres are welcome. MôTif strives to turn our festival into a platform and outlet for voices fighting to be heard. We also encourage submissions from indigenous filmmakers, filmmakers of color, filmmakers with different abilities, LGBTQQIA filmmakers, female-identified filmmakers, and filmmakers from any other underrepresented group. Please help us spread the word and share this with filmmakers from around the world. You can submit your film through FilmFreeway.

MôTif is a multimedia production company that supports and creates art projects, focusing on the underrepresented and the environment.

We have no limits on how to use art to show untold stories and make ideas come true. Our core goal is to explore solutions and help in the fight to decimate racism, bigotry, poverty, sexism, and climate change through art.

We collaborate with masterly artists to offer innovative services for communities, individuals, and organizations including workshops, event development, performing arts, film, photography and design.

With our mission in mind we want to offer the first ever MôTif Film Festival. We are committed to discover new and diverse voices, with 97% of the films coming directly from the submissions we receive. We strive to turn our festival into a platform of voices that still fight to be heard, that need support, and is an outlet for their stories.

The winners of each category will receive an exclusive handmade trophy created by a local Alaskan artist and business owner of The Monolith Project as well as a certificate.

Total Prize Value (USD): Priceless

All submitted films must comply with the Submissions Guidelines including deadlines, exhibition format, entry material, etc.

We do not pay screener fees.

Entrants are responsible for obtaining any necessary licenses, royalties, release forms, clearances, permits necessary to present their work. MôTif Film Festival is not responsible for any claim involving copyright, trademark, credits, or royalty infringement related to the work.

 

Interested parties can find out more here:

https://filmfreeway.com/MoTifFilmFestival

Trumpetry and the Damning Defense of Roseanne

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I’m often amused at the things that people say in defense of Donald Trump and his supporters. Okay, I’m as likely to be outraged as I am amused, and often I manage to be both, but for the moment, let’s concentrate on the amusing part.

Plenty of time to be outraged later. We get new reasons with each passing moment of the Orange Reich!

One of the most amusing twists in the defending-Donald game has always been the angle many deplorables took on the Serge Kovaleski incident. This would be the disabled reporter that Donald Trump once mocked at one of his rallies. Trump supporters have long since settled on a standard line of defense against this criticism. They will say that Trump’s decision to effect the speech and physical demeanor of a disabled person is actually a common bit that he runs on lots of people. They can even provide evidence for this in the form of several video clips in which Donald Trump mocks a variety of people in a similar way. So, the argument runs that Trump was not really mocking Kovaleski for being handicapped, because he actually mocks lots of people (including those who don’t appear to be handicapped) by pretending that they are handicapped.

…which would of course make him as juvenile as he is cruel.

This whole line of reasoning is a REALLY fascinating defense of Trump, because it amounts to the claim that Donald Trump actually makes fun of disabled people all the time. How this is supposed to prove he wasn’t mocking the particular individual, Serge Kovaleski, for being disabled is beyond me, though perhaps the notion here is that Donald Trump wasn’t consciously making fun of Serge for being disabled, because Donald Trump wouldn’t have been happy to mock him in the same way whether he was disabled or not.

It’s a particularly damning defense.

Seriously, how pathetic is that? That the best thing you can think to say about a man is that he wasn’t making fun of a particular disabled person, because he actually does that all the time.

…also, there is the whole matter of Donald telling us we should see the man before embarking on the whole charade. A reasonable person might take that as an indication that the coming display was a bit more than a coincidence, that it was perhaps meant to illustrate something about his actual demeanor of the person in question. A reasonable person might take it that way.

Not a deplorable.

But anyway, I really do think the most amusing thing about this really is the notion that it’s somehow better if this is a standard act in Trump’s bag of tricks. Of course this is also one of the most sad things about Trump and the politics of trumpetry; the normalization of things that ought to be outrageous. This particular defense doesn’t just ask us to let the whole thing go, it asks us to think of it as a normal thing, an acceptable mode of public engagement for a major politician.

…and thus the movement to make America great again serves in practice to make it a more pathetic place.

***

The nation recently got a whole new dose of that pathetic quality from Roseanne Barr, who, as we all know by now, recently chose to mock an advisor from the Obama administration in racist terms. Valerie Jarrett had her time in the cross-hairs of right wing hacks quite some time ago, and apparently, she is still a favorite target abuse among those whose pornography consists of mocking all things connected to Obama. At any rate, Roseanne chose to suggest that Jarrett was the product of a union between the Planet of the Apes and the Muslim Brotherhood.

There is of course a lot wrong with Roseanne’s joke, but the thing that most seem to have focused on was the racist imagery. The equation of African-Americans with apes has long been one of the major themes of racism, and that theme flourished in political-pornography aimed at the Obama family. Given Jarrett’s own African-American ancestry, it’s not hard to see where Roseanne was going with this.

We all know the fall-out by now. Barr’s show has been cancelled. She apologized. She also made excuses, and she now seems to believe she’s been mistreated. And so on…

One of the more pathetic angles in this already pathetic story is the effort to equate Roseanne’s behavior with that of various left-wing personalities. Much like the right wing response to the Kovaleski incident, those attempting to defend Roseanne show little but their own lack of concern with the very themes in question.

Several have tried pointing to Cathy Griffin, asking why the left didn’t condemn her for posing with a fake severed head. Why doesn’t this work? Among other things, because a lot of people on the left really did condemn Griffin’s gag. Right wingers keep pretending this isn’t so, but it is.

Then of course, there are a variety of people (among them Bill Maher, Keith Olbermann, and Joy Behar) who have said horribly mean things about Donald Trump over the years. Bill Maher, in particular, has been singled out, because he has apparently compared Donald Trump to an Orangutan. No matter how you slice this, it still comes up as pathetic whataboutism, but what’s particularly pathetic about this argument is that it misses the point. Calling someone an orangutan is rude, but calling an African-American woman an ape carries specific racist overtones. Does that seem like a double standard? Perhaps it does if you just ignore the entire history of racism. At the end the day, this argument proves little except that Roseanne’s defenders (who are at this point essentially Trump’s defenders) do not see racism as a problem. To them, Roseanne’s gaff was simply rudeness, nothing more.

Now add Samantha Bee into this mix. What did she do? She called Ivanka Trump a ‘c*nt’. This is at least a little bit more of a concern insofar as that particular term is perhaps the most derogatory insult you can use in American English, and that fact alone suggests use of the term may not be the most helpful thing someone can do if they care about the status of women in American society. Still, does it rise to the level of toxicity one finds in racial stereotypes equating African-Americans with apes? No. Not even close. Once again, the argument proves very little, other than that those fielding it don’t really have a problem with racist imagery at all. To them, this is a battle over rudeness, which is why the efforts they keep making to field a charge of hypocrisy against those on the left focus on rudeness more than social justice. They keep trying to accuse the left of violating its own principles, but they consistently mistake what those princples happen to be.

Of course this is just another example of the meta-hypocrisy shuffle. The right wing is fielding the charge of hypocrisy in order to cover up their own hypocrisy. While we debate whether or not any particular comic can say this or that rude thing, Trump’s defenders celebrate him for that very quality.

…but perhaps, this is fitting after all.

The king (and that is what Trump is to his supporters, not a President, a king) is entitled to certain privileges. Perhaps being able to insult people as he sees fit is, in the mind of the deplorables, simply one of the great privileges to which a man of his stature is entitled. What makes Donald Trump great in their eyes is precisely what would make anyone else terrible.

There are many reasons to reject the kind of rhetoric, not the least of them being the obvious foibles of what aboutism, or false equivalence, or the tu quoque fallacy, or any number of idiotic twists in this hollow game. Yet, the most disturbing thing about these arguments would remain just how little appreciation those making these arguments seem to show for the toxic impact of racism in America. Each of these defenses shows us mainly that those making them do NOT see racism as a serious problem.

…which is why I say this is a damning defense of Roseanne.

Of course the real question here is who will be damned by it? Those making these arguments reveal their own racism in making them, but if they succeed in transforming the issue into one of mere rudeness, then the public at large loses. If these idiots succeed, then we damn ourselves to a world in which Roseanne’s joke is just another form of edgy comedy.

It isn’t!

Knife to a Gun Fight?

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“Never bring a knife to a gunfight!”

It really is a bad-ass line. It’s the kind of thing you’d say to put someone else right in line. The line comes with a few variations, of course, but all of them just smack of really great smack-downatude. You think about saying that line, and you can practically hear the people around you going ‘booom!’ as the object of your derision shrinks in abject humiliation.

I wonder how many people remember where this line comes from?

…or how the scene worked out in the end?

An Uncommon Rosie

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Rosie - Copy2Rosie the Riveter is one of those proverbial gifts that just keeps on giving. So, was Elizabeth Peratrovich. She would have been a contemporary of the many women who inspired this icon, which makes it just a little more interesting to see her standing in here for the women (whose real name was Naomi Parker) most of us envision when thinking about Rosie. This poster is part of the Unsettled exhibition currently showing at the Anchorage Museum.

Elizabeth was a major figure in the movement to combat discrimination against Alaska Natives in the 1940s. She is memorialized every February 16th, the day in which the Alaska Territorial Government signed the Anti-discrimination Act 0f 1945 into law. You can learn more about her work on civil rights at Alaskool.org. The quote featured in this poster is commonly thought to have been part of her testimony at the Alaska Territorial Legislature during hearings over the Anti-Discrimination Act. It isn’t entirely clear whether or not these were her exact words, though it probably says something about her actual testimony that it has become something of a legend in itself. The wit would certainly be right at home with other things that Elizabeth clearly did say.

Seriously, the woman kicked ass!

Apayo Moore, the artist behind this particular piece has the following to say bout it:

32838106_10216397714880526_2160255119801712640_n

Shhhhhhh…

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MV5BMjI0MDMzNTQ0M15BMl5BanBnXkFtZTgwMTM5NzM3NDM@._V1_SY1000_CR0,0,674,1000_AL_You learn pretty quickly how things work in A Quiet Place. Make a sound and you just may die of it.

Why?

For reasons left largely unexplained, the world has been overrun by creatures that quickly chase down anything making a sound and kill it. They are quick, powerful, seemingly indestructible, and completely without mercy. To survive in this world, one must be utterly silent, at nearly all times. A momentary lapse of discipline will bring a swift and cruel death.

The best part of this premise is that it reaches right through the screen and into the movie theater. Watching a family struggle to survive on screen in this world shaped by monsters, the audience itself struggles to maintain its own silence. It’s difficult. It’s especially difficult for a room full of people still settling into their seats and trying to enjoy their concessions. But we learn the cost of noise early in this film, and nobody wants to be the one who spoils the soundscape for the rest of us. The silence on screen demands silence from its audience. Every candy wrapper threatens to ruin the experience. Every sip from a soda pop  threatens to bring the monsters pouncing. So, we all try to be quiet, and we fail miserably. The whole theater is filled with sound, and with people trying desperately not to make those sounds.

As we all adjust to the need for silence, the restlessness of the audience comes excruciating. The teenagers in the row beside me keep moving about in their seats. They are trying to hold still, but they just haven’t found a comfortable position yet, and the results are excruciating. The sound of a straw sliding through a plastic lid somewhere in the room echoes through the whole theater. We can all hear that straw push through the ice and into the corner of the cup. Lacking a straw, myself, I quickly come to realize how much the ice in my own cup shifts with every drink I take. Taking those final gulps, I feel almost as though I’ve betrayed the whole back section of the theater. Someone down in the front is arguing with his neighbor. His words are soft, but we can all hear him; “No, you watch it!” I amazed this idiot hasn’t gotten us all killed. A woman behind me is extra startled by events on screen. She can’t help but vocalize her distress to her companions. It’s risky, or at least annoying, but who could blame her? That much drama demands an outlet! It’s an outlet that would get her killed up on the screen, but it’s understandable in itself, if also more than a little distressing to a room full of people trying desperately to be quiet.

…which is the genius behind this film. The premise doesn’t just threaten us with monsters; it transforms our own nature into a source of terror. It turns the focus of horror onto the very human quality that is our own noisy nature. We all make sounds. We bang on stuff. We cause our seats to creak, and the ground crackles beneath our feet as we walk. Every once in awhile, we want to say something, even to say it loudly. All of this is perfectly normal until you walk into a theater to watch THIS movie. Then it becomes terrifying. Most anybody can be quiet for little awhile, but can you live your whole life in silence? I know a theater in Anchorage full of people who didn’t manage it for an hour and a half. Oh sure, we achieved a modicum of silence at about the half way point, but not the kind of silence it would have taken to survive in the world up on that screen. Had these monsters entered our own world, I’m not sure any of us would have made it to the third act.

The woman behind me at least would have been toast!

It’s tempting to see political analogies in this story-line. Some have seen it as direct commentary on the present state of American politics. Both John Krasinski (who directed and star in the film) and his costar Emily Blunt have denied that was the original idea. Instead, they suggest the point was to say something about families.

Whatever messages the film-makers might have intended to bundle-up in this movie, it seems easy enough to understand why people would see this film in political terms. The pressure to remain silent is something just about everyone has experienced in one form or another. For most of us, that pressure has been limited to fears of looking foolish, losing friends, or perhaps some reasonable fear that one could lose a job. Others have lived through the very real terror that speaking up could cost them their lives. Perhaps, their loved ones too! The premise here thus has the power to resonate with all manner of audiences well across the political spectrum. Whether the threat was trivial or genuinely hazardous, most (perhaps all) of us can recall the experience of stifling our own voice because of someone out there. In A Quiet Place that message becomes any sound whatsoever and that someone out there becomes a monster ready to rip us apart. It’s a metaphor easily mapped onto all manner of real world problems.

You can really feel the power of this theme in the rare moments when character do speak in A Quiet Place. The transgression of actual sound is shocking; the sense of liberation is powerful. When someone actually does shout in this film, it comes across as a  supreme act of defiance. The character may have been shouting at a monster; but any one of us could well imagine the freedom to finally shout something at somebody or something in our lives.

…preferably without being ripped apart as a result.

Okay, so yes, I liked this movie

***

Also, the ending? The very last moment of this film?

Fucking brilliant!

 

Poe Appropriates a Proposal

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I will admit that I enjoyed the Proposal, but I’m not so sure I liked it.

Well that makes sense to me at any rate. So anyway…

There is one scene in this movie that sits in my memory like a stone in my shoe. I just don’t know what to make of it. It’s this one:

Don’t get me wrong, it ain’t no hangin’ matter as far as I’m concerned, but I have to wonder. Didn’t anybody involved in this production question the wisdom of having two women perform other people’s music and dance? First Betty White pretends to carry out a Haida ritual, adopting the stilted speech patterns of native movie characters for the entire scene. Tasked with joining her in the performance, Sandra Bullock ends up channeling Lil Jon and the East Side Boys. So, one of these women engages in faux native spirituality and the other effectively turns in a rap performance. It’s all at least a little appropriative.

It’s also more than a little cringe-worthy.

To me anyway.

I am admittedly prone to cringitude.

It’s a light comedy anyway, so I guess I shouldn’t expect them to take these issues any more seriously than the rest of the subject matter appearing in the movie. Still, I can’t help but shake my head at the apparent cluelessness.

…but then I wonder!

I come back to my original question; didn’t somebody question the wisdom of this scene? Wasn’t somebody aware that it’s more than a little odd to have two white women finding their bliss in the performance of other people’s music, dance, and ceremony. Wasn’t someone on set at least cognizant of the issue?

And then I wonder, what if someone was?

Could that have been the point?

Quite unexpectedly, the spirit of Nathan Poe haunts this scene!

The whole performance is so completely over the top, I find myself wondering if it isn’t an intentional parody of precisely the kind appropriation I’ve been talking about. Which would make it kinda cool after all.

…I still cringe.

***

I’ve looked around a bit to see if some movie reviewers can shed light on the scene, and I can’t say that I’ve found much. Newspaper Rock comments on the matter pretty directly, but he doesn’t seem to have any extra information on the production itself. The late Roger Ebert seemed perplexed by the scene, particularly insofar as it related to the Alaskan sunrise. Most reviewers seemed to skip the subject altogether. Here is an interesting blog post on the house where they filmed the movie. (I know, that’s a little left of the actual topic here, but it’s just kinda cool.) The Orlando Sentinel quotes Betty White as saying that she had to learn an ‘Eskimo’ song for the film. The Daily News has her explaining that the language was actually Tlingit. I can’t say that any of this sheds much light on the matter, but that’s about enough of this.

Ah well!

My girlfriend will be calling me ‘Danno Downer” after she reads this.

Guilty as charged.

Hypocrisy Howled at the Wolf

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imagesThe second most memorable thing Michelle Wolf said at the White House Correspondents’ Dinner was that; “people are saying America is more divided than ever.”

Okay, at face value, the line itself isn’t all that memorable, but her speech and the reaction to it fairly illustrate the very point, which is memorable in my book. When a line from a speech captures that much of its own context, that will get my attention every time.

Listening to Wolf’s jokes, I find myself wondering if we could really expect people to take some of these jokes in good fun? It isn’t always clear from the content, but the stone faces scattered among those smiling and laughing tell a pretty clear tale. For some at least, these were not jokes; they were attacks. From her deadpan list of inconveniences ending with; “Trump is President; it’s not ideal,” to the suggestion that Kellyanne Conway should be struck and pinned underneath a falling tree, it’s easy enough to understand why someone might not want to roll with the punches here. Sure, someone could laugh it off, but it would be just as reasonable to take these as indications of genuine contempt. We could pick away at this or that point, but the reality is that the room was already saturated with divisions far too great for people to come together in laughter.

That’s the nature of humor though; it’s almost always at the expense of someone else. So, it’s always fair to ask ‘with me’ or ‘at me’? In this case, a fair portion of the right wingers present (and many who weren’t) clearly figured it was the latter. Of course they tend to assume this about much of the media and the entertainment industries as well. With increasing frequency, they would be right about that, but there is certainly the trace of a self-confirming prophesy to all of this media and Hollywood bashing. They don’t seem to notice when their favorite scapegoats aren’t following the script. Wolf took some serious shots at the media too, pointing out that they are largely responsible for Trump’s success, but today the right wing has bundled her up with that very media and used the dinner as yet another example of an ‘elitist’ culture holding them in contempt.

Some of us on the left might be tempted to suggest that the best fix for this problem is for today’s right wing politicians to try to be less contemptible. And of course the contempt is mutual; it has been for as long as I can remember. With countless ‘conservatives’ still telling stories about a socialist Muslim from Kenya, I have a hard time swallowing the notion that those of us on the left ought to rein it in, and lest anyone suggest this is merely the fringe of right wing politics, let me remind you that one of those fringe lunatics in the birther movement is in the White House right now.

..placed there by a wave of contempt for liberalism.

That contempt for liberalism is so strong it seems hard to escape the notion that Trump was placed in the White House, not because anyone seriously thought he was going to make America great again, but rather because they hoped he would break America as we currently know it. Even now, his cabinet is undoing over a century of work to protect America from threats to our safety, both domestic and foreign. Even now, Americans in Puerto Rico are still struggling to recover from a natural disaster, and from the willful neglect of an administration happy to kill Americans when he is offended by one of their leaders. We can debate whether or not Trump will ever do anything positive for this country, but there is little doubt that he is willing and capable of hurting a lot of people.

He was placed in office for precisely that reason.

…all of which makes it a little difficult to look at a speech such as that given by Michelle Wolf and say let’s cry foul this time. No, this, THIS, was going to far!

Bullshit!

Still, the hypocrisy of the other guy isn’t much of an excuse for any we produce ourselves. Is there a serious argument to be made here? The main focus of scrutiny in this case seems to have fallen on Wolf’s comments about Sarah Huckabee Sanders. What did she say about Sanders?

Every time Sarah steps up to the podium, I get excited because I’m not really sure what we’re going to get: you know, a press briefing, a bunch of lies or divided into softball teams. “It’s shirts and skins, and this time, don’t be such a little b—-, Jim Acosta.”

I actually really like Sarah. I think she’s very resourceful. Like, she burns facts, and then she uses the ash to create a perfect smoky eye. Like, maybe she’s born with it; maybe it’s lies.

It’s probably lies.

And I’m never really sure what to call Sarah Huckabee Sanders. You know, is it Sarah Sanders? Is Sarah Huckabee Sanders? Is it Cousin Huckabee? Is it Auntie Huckabee Sanders? Like, what’s Uncle Tom but for white women who disappoint other white women? Oh, I know: Aunt Coulter.

People have been saying this amounts to making fun of Sanders’ appearance. Others have been saying, no it isn’t. And yes, the battle lines are pretty predictable on this one. The issue is already touchy, because a lot of folks have already taken some seriously cheap shots at Huckabee’s looks. What Wolf said is really mild in comparison to some of the comments and memes out there. In fact, she doesn’t appear to be commenting at all on Sanders’ actual body or face. The main joke here isn’t even about Sanders’ looks; it’s about her mistreatment of the press, and the fundamental dishonesty with which she has approached her work in this administration. In the process of making this perfectly valid, and perfectly relevant point about Sanders’ work, Wolf worked in a comment about Sanders’ eye shadow. That comment has become the focus of virtually all subsequent commentary on the dinner.

So, was this a comment about Sanders appearance?

I can think of two reasons to say ‘yes’ in answer to that question. 1) Sarah’s eyes have often been primary a focus of many of the cheap shots taken at her. So, when Michelle Wolf talks about Sanders’ eye shadow, she is hitting a theme well-primed by many others. If Wolf is actually commenting on eye shadow instead of Sanders’ actual eyes, then that’s a thin layer of powder away from a very common and very cheap shot. 2) More importantly, a comment about dress or make-up is already a comment about someone’s looks, and women in the public arena get dragged on that topic far more than men. Far from trivial, this is one of the double standards that makes it much harder for women to succeed in public life than men. Working that angle doesn’t just hurt Sanders; it hurts women in general.

If Wolf’s comment doesn’t measure up to the low standards of filth spilling from the mouth of Donald Trump over the years, it certainly doesn’t measure up to the high standard many on the left (and in particular feminists) have been trying to promote for about as long as I can recall. I don’t know that Wolf has ever committed to such standards, but the fact remains, she could do better. Hell, she was doing better! She was doing better in that very point. Sarah Huckabee Sanders is a professional liar. That was the point of the very joke in question, and everybody knows it. THAT point remains sound, regardless of the cheap shot Wolf unfortunately bundled into it.

Some of us could wish that Wolf had left her brief foray into physical commentary out of her speech, but it’s there. I can’t help thinking that brief moment of self indulgence was a god-send to America’s right wing, because that’s been the very means they’ve used to draw attention from the rest of the Wolf’s criticism, criticism which is very richly deserved. While the denizens of echo chamber do the meta-hypocrisy shuffle, hiding their own double standards behind an accusation of the same, they have successfully shifted the narrative about this speech away from the many horribles now nurtured by the outright fascism which has taken over the Republican Party, horribles Wolf was right to call out.

Horribles like Sanders’ many lies.

It may well be that the whole country has reached a point where we can no longer expect Americans of different political orientations to sit peacefully together and laugh at the same jokes, but no, both parties are not equally responsible for helping us reach that point. With a President actively and openly supporting white nationalists while Democrats continue to embrace more moderate conservative policies, I don’t see how anyone could seriously embrace the ‘both sides’ narratives out there.

I don’t really blame right wingers for not wanting to sit through a performance like that of Wolf. I blame them very much for bringing us to that point. The Republican Party didn’t have to put a living joke in the White House; they didn’t have to support a man so corrupt and so incompetent that every spokesperson for him has had to bend over backwards lying for him only to find the man debunking their own spin even as they spin it. They didn’t have to make themselves so contemptible.

But they are.

The Republican Party of today is not conservative; it is not patriotic; and it is certainly not Christian. It’s leadership is none of the things they pretend to be, and they all know it. This is why they cannot abide humor like that of Wolf. This is why Donald Trump wasn’t even there, and this is why others walked out. They cannot abide an honest stand-up routine, any more than they can abide a competent journalist. And this is why they want to focus on that one joke; to keep our minds off Trump himself (and Pence, and Sanders, and all the rest of the circus) and to lay the grounds for retaliation against future critics.

Oh, I did say that the line about Americans being more divided than ever was the second most memorable thing Wolf said in her speech. So, what was more important than that?

Flint still doesn’t have clean water.

 

 

Epithets and Implicatures, and History as Damage Control

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I haven’t been monitoring the controversy about the Washington football team that closely for awhile now, but the topic hasn’t entirely escaped my attention. This morning, I took a moment to scan the old Redskinsfacts website, which is a case-study in double-speak if there ever was one. That hasn’t changed.

…either.

One thing I find fascinating and revolting in equal measures is the way the site uses the work of a linguist, Ives Goddard, in defense of the team’s name, If you click on the option to “Get the facts” on the home page of the “Redskins Facts” website, you will be taken to another page telling you about the history of the name. Near as I can tell, that page hasn’t changed in awhile. Here is a screenshot of that history as it is now on 4/19/18:

Screenshot 2018-04-19 12.19.54

With just three items, this is a brief history to be sure, but the omissions aren’t entirely a function of brevity. What they leave out here is every bit as important as what they choose to tell us. Taking their bullet points in reverse order:

Notice they tell us that when the team came into being four players and the head coach “identified themselves as Native Americans.” This wording was carefully chosen to promote a common team legend without actually claiming that legend is true. Defenders of the team name commonly tell us that the team was named after a Native American (William “Lone Star” Dietz). It’s not at all clear that the team name was ever meant to honor him, but more importantly, Dietz’s claims to Native American heritage are questionable at best, having come under intense scrutiny when Dietz stood trial for evading the draft during World War I. The folks at Redskinsfacts.com know very well that team fans team defenders still cite the story of Lonestar Dietz in defense of the team name. Telling us that Dietz claimed a Native American identity enables them to promote that story without actually making any false claims on the topic themselves. So, I guess it’s not an outright lie. More like, a cowardly equivocation.

The second bullet point in this ‘history’ is simply off topic (and rather vague). That prominent native leadership of the 19th century, have referred to themselves as ‘redskins’ does not establish that the term is not now or at any other time free of pejorative implications. Resting as it does in this simple, narrative the claim that some of them have done so does nothing to tell us how they felt about the term or why they came to use it. It doesn’t even enable us to sort which ones called themselves ‘red men’ and which ones called themselves ‘redskins’. It doesn’t address problems of translation. It really doesn’t establish anything except for the sloppy thought process of the website administrator. He’d have to answer a few questions before we could even get to the ‘so what?’ part of the conversation. Or we could just skip to the chase, I suppose.

So what?

The first point in the pseudo-history of the team name is the one that interests me the most. Defenders of the name will often cite Goddard’s article as proof that the term in question is not an insult. (Seriously, I’ve long since lost track of the number of people that have done this,) I always ask them if they have actually read the article. Often that seems to be the end of the conversation. When these folks do tell me they’ve read the article, I ask them if they’ve read the last line in the article. To date, none have answered that question. So, what is the last line in Goddard’s article?

The descent of this word into obloquy is a phenomenon of more recent times.

My point is of course that Goddard didn’t write an article telling us that the term in question is not an insult. He wrote an article telling us that it did not begin as an insult, which is an entirely different claim. It isn’t entirely clear from Goddard’s piece just how he would account for the present significance of the term, but he is very clear on the fact that his own work does not actually address that question. So, the article should leave us with a full stop right around the 1830s. Goddard helps us to understand the use of the term up to that point, and he doesn’t have much to say about anything after that.

Goddard’s work is interesting for a number of reasons, but it doesn’t tell us much about what the term means today, or even what it meant by the end of the 19th century. He does take issue with the claims of at least some modern activists, Susan Shown Harjo being among them, but he himself points out that rejecting her claims about the origin of the term does not prove that many Native Americans find the term objectionable in the present time (p.1). I think Goddard does a pretty good job of showing that Harjo and others have been wrong about the origins of the term, leaving the rest of the case against the team name largely untouched by his article. The correction seems a bit one-sided to me, but at least Goddard has been clear about the limits of his own work on the subject. If he has published anything addressing the later history of the term or correcting any of team’s misuse of his work, I am not aware of it. (If anyone does know of such a response, I would very much appreciate a reference.)

So, why is Goddard’s work the first thing Redskinsfacts.com cites in their history of the term? Well they have to know that many people equate the origin of a term (or at least our earliest known account of it) with its contemporary meaning. This is called the etymological fallacy, and it’s an extraordinarily common mistake. So, they don’t really have to tell us the article proves the term is innocent; the folks at Redskinsfacts.com know very well that is what many of their fans will take away from their reference to the article. Citing Goddard and providing a link to his work enables them to strengthen the impression that the team name is innocent without actually going so far as to say that’s what Goddard has shown. They invite their readers to indulge in an etymological fallacy, just as they invite us to think of Lonestar Dietz as a Native American when he was likely an outright fraud. It’s fascinating to see how the site avoids making the false claims in question, even as they invite readers to infer those very claims from the one they do make.

Don’t get me wrong. This isn’t even the worst of it. Defense of the Washington football team has produced all manner of horribles over the years. This isn’t even the worst of it.

Still, it’s pretty damned deceitful.

And cowardly.